An inviting take on feminine wisdom and the power of collective self-transformation.
Seventeen-year-old Canadian camp counselor Nora Nichols’ boyfriend has broken up with her right before her arrival at the all-girls Camp Cradle Rock in West Virginia.
The “wounds / are still tender,” and Nora is hoping to leave everything behind, concentrate on getting to know her fellow counselors, and embark on “a fresh start.” Sitting in the Lightning Circle, a tradition inspired by a legendary camp story that builds a connection between the six young women counselors, Nora finds self-love and healing from the pain of unrequited love and rejection. The interconnectedness that “passes / from hand to hand” in their circle is metaphorically compared to the “electricity” of lightning. This story in journal form emphasizes sisterhood. In the poem “The Recovery Position,” one counselor reveals an eating disorder. The counselors support the younger campers with their own concerns—homesickness, fitting in socially, getting a first period. The free-verse poetry’s accessible diction speaks to teenage voices and is punctuated with nature imagery, symbolism, and details that vividly and nostalgically recall traditional camp experiences, from fingers that are “sticky from sucking on watermelon rinds” to “dancing barefoot in the grass.” Nora writes about shells, mountains, rivers, trees, and horses, and each poem is accompanied by beautiful illustrations, including portraits of the campers and images of everyday objects and flora and fauna. Ultimately, Nora movingly reflects on the perspective she’s gained from “this magical space.” Characters largely read white.
An inviting take on feminine wisdom and the power of collective self-transformation. (Verse fiction. 12-18)Pub Date: March 26, 2024
ISBN: 9781774882498
Page Count: 224
Publisher: Tundra Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This astonishing book will generate much-needed discussion.
After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
A suspenseful story that starts off with great promise but fails to deliver.
A teenage girl struggles with the question of whom to trust in the age of social media exposure.
Thanks to Connie’s mom’s family vlog, her life is anything but private. She enjoyed it at first, but now, between the mean comments online and the cruel mockery from peers in real life, Connie feels like she’s in a prison. Her sister, Isla, says it’s worth it for the money, but Connie isn’t sure if that’s really true. Connie’s anger over Mom’s refusal to heed warnings that revealing so much puts them in danger continues to build. When she’s left alone for two weeks while Mom and Isla go on a college road trip, local girls start dying, and a fan reaches out on social media in an unsettling way, leaving Connie worried about her safety. White-presenting Connie’s sense of humor is charming, and her insights will earn readers’ sympathy as the tension builds. As emotions rise, Preston’s poetic language beautifully captures Connie’s feelings about her mom’s obsession with social media and her confusion about who is worthy of her trust. The topics of safety and the uncharted waters of social media are skillfully woven into the plot. However, some inconsistencies weaken the overall story: Apart from Connie, the characters are too lightly developed, and some plot points don’t align with earlier events and motivations, making the ultimate revelation a disappointment.
A suspenseful story that starts off with great promise but fails to deliver. (Thriller. 12-18)Pub Date: Dec. 2, 2025
ISBN: 9798217028009
Page Count: 320
Publisher: Delacorte
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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