by Vincent Panella ‧ RELEASE DATE: Nov. 10, 2020
A richly textured tale of the less romantic aspects of the early Italian American experience.
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In this historical novel, a Sicilian immigrant navigates the spheres of workers rights and organized crime in his adopted homeland.
The year is 1907. Santo Regina, already a widower at age 32, is skeptical of the Fasci movement taking hold in his native Sicily, where the peasants are organizing to demand better treatment from the landowners. But he is intrigued by Don Vito Cascio Ferro, a former landowner–turned-agitator with assumed ties to the local Mafia. Vito is not a typical Mafioso, however. He looks like a religious hermit, tall and gaunt with a long gray beard, and he rails against the concept of private property. “I tell you now,” he says to Santo upon their meeting, “within five years most of the men around you will be in L’America, and Sicily will be left to those with the foresight to see its future.” When his own attempt at activism fails, Santo joins the stream of men immigrating to America for work, leaving his young son and teenage daughter behind in the care of his mother. In Louisiana, Santo encounters the same oppressive working conditions that he faced in Sicily—as well as bosses willing to use violence to enforce the status quo. In New Orleans, Santo again meets Vito, who has cut his long beard and evolved away from his earlier politics. “Let’s say I’m in another part of the same business,” he tells Santo as he describes his new activities within America’s growing Sicilian community. As Santo’s daughter, Mariana, back in Sicily gets herself in a compromising position with a local tough, he must decide to what lengths he will assist his countrymen in their attempts to gain financial independence—and just what side of Vito’s law he will stand on.
Panella’s prose is concise and insightful, capturing not only the era in which it is set, but also the contemporary worldviews of his characters. At one point, Santo wonders: “What kept him in Sicily? A house and a shovelful of land? A mother whose life was a path between home and church, and who wouldn’t even hear of L’America? Or was it the image of his father, who walked the streets like a ghost, a bag of bones in a black suit, railing at the ignorance of his fellows.” The author largely avoids the more clichéd depictions of the Mafia in the United States, presenting instead a less formal, more organic outgrowth of the cultural upheavals present in Italy and America during this period. There are times when the story moves a bit slowly, but the book’s relatively short length and streamlined plot help to maintain its momentum. Santo and Vito are both intriguing characters, and Mariana provides a particular window into the precariousness of life back home. At its best moments, the volume calls to mind the work of 20th-century Italian novelists like Cesare Pavese and Leonardo Sciascia, wherein the convictions of a moral man are tested by an invariably amoral environment.
A richly textured tale of the less romantic aspects of the early Italian American experience.Pub Date: Nov. 10, 2020
ISBN: 978-1-59954-156-3
Page Count: 228
Publisher: Bordighera Press
Review Posted Online: Sept. 3, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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More by Fredrik Backman
BOOK REVIEW
by Fredrik Backman translated by Neil Smith
BOOK REVIEW
BOOK REVIEW
by Fredrik Backman ; translated by Neil Smith
More About This Book
SEEN & HEARD
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