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SICILIAN DREAMS

A richly textured tale of the less romantic aspects of the early Italian American experience.

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In this historical novel, a Sicilian immigrant navigates the spheres of workers rights and organized crime in his adopted homeland.

The year is 1907. Santo Regina, already a widower at age 32, is skeptical of the Fasci movement taking hold in his native Sicily, where the peasants are organizing to demand better treatment from the landowners. But he is intrigued by Don Vito Cascio Ferro, a former landowner–turned-agitator with assumed ties to the local Mafia. Vito is not a typical Mafioso, however. He looks like a religious hermit, tall and gaunt with a long gray beard, and he rails against the concept of private property. “I tell you now,” he says to Santo upon their meeting, “within five years most of the men around you will be in L’America, and Sicily will be left to those with the foresight to see its future.” When his own attempt at activism fails, Santo joins the stream of men immigrating to America for work, leaving his young son and teenage daughter behind in the care of his mother. In Louisiana, Santo encounters the same oppressive working conditions that he faced in Sicily—as well as bosses willing to use violence to enforce the status quo. In New Orleans, Santo again meets Vito, who has cut his long beard and evolved away from his earlier politics. “Let’s say I’m in another part of the same business,” he tells Santo as he describes his new activities within America’s growing Sicilian community. As Santo’s daughter, Mariana, back in Sicily gets herself in a compromising position with a local tough, he must decide to what lengths he will assist his countrymen in their attempts to gain financial independence—and just what side of Vito’s law he will stand on.

Panella’s prose is concise and insightful, capturing not only the era in which it is set, but also the contemporary worldviews of his characters. At one point, Santo wonders: “What kept him in Sicily? A house and a shovelful of land? A mother whose life was a path between home and church, and who wouldn’t even hear of L’America? Or was it the image of his father, who walked the streets like a ghost, a bag of bones in a black suit, railing at the ignorance of his fellows.” The author largely avoids the more clichéd depictions of the Mafia in the United States, presenting instead a less formal, more organic outgrowth of the cultural upheavals present in Italy and America during this period. There are times when the story moves a bit slowly, but the book’s relatively short length and streamlined plot help to maintain its momentum. Santo and Vito are both intriguing characters, and Mariana provides a particular window into the precariousness of life back home. At its best moments, the volume calls to mind the work of 20th-century Italian novelists like Cesare Pavese and Leonardo Sciascia, wherein the convictions of a moral man are tested by an invariably amoral environment.

A richly textured tale of the less romantic aspects of the early Italian American experience.

Pub Date: Nov. 10, 2020

ISBN: 978-1-59954-156-3

Page Count: 228

Publisher: Bordighera Press

Review Posted Online: Sept. 3, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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