Virginia Hamilton goes home again to the hill country, where Sarah's mountain has belonged to M.C.'s family ("and them to it") ever since an ancestor fleeing slavery settled there with her infant. Now M.C., thirteen, worries about the spoil pile left from strip mining that seems destined to come sliding down on their house, and when "the Dude," an outsider with a tape recorder, arrives to "take" Mama's voice, M.C. imagines that he will also take Mama away to make records — affording them all a chance to escape the spoil heap despite his Daddy's stubborn refusal to move or to acknowledge the danger. Also arriving with (but not traveling with) the Dude, however, is a lonely but independent girl named Lurhetta, who shakes up M.C.'s confidence, indirectly needles him to rethink his connection with the land and the coming disaster, and shames him into venturing onto the mound of the shunned, "witchy" Killburns, an extended family of red-haired and six-fingered vegetarians. (Significantly, where M.C. proudly surveys the countryside from atop a gleaming 40-foot pole that is exclusively his, the numberless, communally cared for Killburn children toss and climb on a giant web of rope and vine.) Hamilton is at her best here; the soaring but firmly anchored imagery, the slant and music of everyday speech, the rich and engaging characters and warm, tough, wary family relationships, the pervasive awareness of both threat and support connected with the mountain — all mesh beautifully in theme and structure to create a sense of organic belonging.
Pub Date: Aug. 1, 1974
ISBN: 1416914072
Page Count: 340
Publisher: Macmillan
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Aug. 1, 1974
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Wonderful, indeed
A love song to baby with delightful illustrations to boot.
Sweet but not saccharine and singsong but not forced, Martin’s text is one that will invite rereadings as it affirms parental wishes for children while admirably keeping child readers at its heart. The lines that read “This is the first time / There’s ever been you, / So I wonder what wonderful things / You will do” capture the essence of the picture book and are accompanied by a diverse group of babies and toddlers clad in downright adorable outfits. Other spreads include older kids, too, and pictures expand on the open text to visually interpret the myriad possibilities and hopes for the depicted children. For example, a spread reading “Will you learn how to fly / To find the best view?” shows a bespectacled, school-aged girl on a swing soaring through an empty white background. This is just one spread in which Martin’s fearless embrace of the white of the page serves her well. Throughout the book, she maintains a keen balance of layout choices, and surprising details—zebras on the wallpaper behind a father cradling his child, a rock-’n’-roll band of mice paralleling the children’s own band called “The Missing Teeth”—add visual interest and gentle humor. An ideal title for the baby-shower gift bag and for any nursery bookshelf or lap-sit storytime.
Wonderful, indeed . (Picture book. 1-4)Pub Date: Aug. 25, 2015
ISBN: 978-0-385-37671-6
Page Count: 32
Publisher: Random House
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
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