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SWEET WHISPERS, BROTHER RUSH

One of Hamilton's deeply felt family stories, this contains a ghost, a time trip, a retarded brother's death, a case of child abuse, and a largely absent mother who turns up with a boyfriend and a car her children never knew of—but this is all integrated into a fully imagined novel that conforms to none of the obvious YA patterns such components would suggest. Brother Rush, the ghost, appears in the first paragraph. Dressed in a suit "good enough for a funeral or a wedding," he's "the stone finest dude Tree had ever seen in her short life of going-on fifteen years." Soon the ghost is transporting Tree into scenes involving himself, a young woman, and the woman's two children—the baby girl she dotes on and the boy, a little older, whom she ties to the bedpost and whips when annoyed. And Tree comes to realize that the baby is herself, Brother is her uncle who died young, the "poor sad little boy" is her older teenage brother Dab, whom she lives with and loves, and Viola, the woman, is her mother (Tree calls her Muh Vy, or M'Vy), who works as a practical nurse and comes home only on Saturdays to stock the pantry and say hello. Now Dab is sick and in pain, and Tree is worried. When M'Vy does show up, followed by her kind, solicitous boyfriend Silversmith (this too is short for his real full name), they rush Dab to the hospital where Vy, now all concern, reveals that he has porphyria, the disease that took her three brothers. This indelible scene is lit as if by the hospital's harsh glare—with Vy calling for a doctor and explaining Dab's case to the nurse (who is "crisp, like a cold head of lettuce"), the nurse insisting that forms must be filled out before a doctor or stretcher can be called, and Silversmith left to stand through it all with the unconscious Dab in his arms. When Dab dies a few days later, Tree goes a little berserk, tearing around the apartment and lashing out at her mother—but appeased by the fine funeral Vy provides—before settling down to accept what will undoubtedly be an easier life. Like other Hamilton novels this has its rough edges, but they are outweighed here by the blazing scenes, the intensity of Tree's feelings, the glimpses of Dab through her eyes, and the rounded characterization of Vy.

Pub Date: Aug. 1, 1982

ISBN: 0380651939

Page Count: 228

Publisher: Philomel

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Aug. 1, 1982

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  • New York Times Bestseller

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SISTERS IN THE WIND

A powerful story of family, belonging, and identity interlaced with thriller elements.

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  • New York Times Bestseller

A wary teen wonders if she should run when people come looking for her.

Lucy Smith was raised by her white father, who said little about her mother. Following his death and her stepmother’s abandonment, Lucy entered the foster care system at 14. Her stepmother revealed that Lucy’s birth mom was Native American, but her social worker urged her to keep that quiet. Battered by her time in the foster care system, it’s no wonder that 18-year-old Lucy is cautious when she’s approached by a man who says he’s an attorney who helps Native American foster kids connect with their families and communities. He introduces her to a friend who reveals to Lucy that she knows her Ojibwe maternal relatives—but a wary Lucy refuses her offer to learn more. Someone is stalking her, after all, and the FBI is investigating the bomb that went off in the diner where she worked—an event she’s sure targeted her. This stand-alone from bestseller Boulley, who’s an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, includes characters her fans will recognize from previous works. The action scenes are mediated by ruminations on the failings of the foster care system and strong portrayals of Lucy’s relationship with her father and her complicated identity. Ardent book lover Lucy is a sympathetic narrator whose strong sense of justice is coupled with a deep acceptance of others.

A powerful story of family, belonging, and identity interlaced with thriller elements. (content warning, author’s note) (Thriller. 14-18)

Pub Date: Sept. 2, 2025

ISBN: 9781250328533

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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NEVER LOOK BACK

This fresh reworking of a Greek myth will resonate.

An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.

Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.

This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)

Pub Date: Sept. 15, 2020

ISBN: 978-1-5476-0373-2

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: June 24, 2020

Kirkus Reviews Issue: July 15, 2020

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