POLLY’S PINK PAJAMAS

Polly loves her PJs, but when Fred invites her to a party, she is at a loss as to what to wear, so she calls her friends for some help. Heap uses color to great effect in this slight story. The eponymous PJs have rosy stripes, squiggles and hearts, and Polly’s chair, slippers and walls are also pink. Fred is in grays and blues. Mia, who lends Polly a polka-dot dress for the party, favors red. Harry likes multicolored stripes—even his cat is striped. Claire has blue shoes to lend and blue glasses. But when Polly is all dressed in her borrowed finery, she sees that none of it really fits. Tears ensue, but Fred calls to remind her that it is a—wait for it—PAJAMA party, so Polly can wear what she loves best. All the friends who were willing to lend Polly stuff are at the party in their special colors. The crayon-and-acrylic illustrations are full of candy colors and cheery shapes (a lot of hearts), and it is hard to fault any story that ends with pizza. (Picture book. 4-7)

Pub Date: April 1, 2010

ISBN: 978-0-7636-4807-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: March 15, 2010

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

ON THE FIRST DAY OF KINDERGARTEN

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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