by Vivian Gussin Paley ‧ RELEASE DATE: March 1, 1997
A beautifully realized, deceptively simple classroom memoir from a longtime kindergarten teacher and author (Boys and Girls, 1984, etc.). Paley begins the narrative of her final year of teaching by focusing on Reeny, a self-assured, thoughtful, and creative black five-year-old girl in a class that's mostly Caucasian and Asian. Reeny is a wonderful character, but it is her identification with another character, Frederick the mouse in a Leo Lionni children's book, that is the catalyst for a truly remarkable classroom experience. Reeny becomes entranced with both Frederick and Lionni, seeing her own need to express herself reflected in the story of Frederick, the poet mouse. Because of her infectious enthusiasm, and Paley's own strong identification with another Lionni character, Tico, the bird with the golden wings, Paley decides to embark on a yearlong Lionni project. The class reads all of his books, discusses them, acts them out, and does art projects centered on them. Disproving the general opinion that kindergartners are unable to focus on a lengthy, ongoing project, these children show an amazing aptitude for referring back to previous discussions, understanding metaphor, relating their reading to the world around them, and using the information they glean in creative and unusual ways. Their discussions cover everything from race and friendship to gender and the artistic personality, and they are able to appreciate the Lionni titles with a maturity that is sometimes startling. Reeny leads the pack in this, especially in her astute reading of Paley herself and Paley's ambivalent identification with Tico, who is despised by his friends because of his golden wings. The reader closes the book with the hope that Paley will, with Reeny's help and her own newfound self-awareness, overcome her ambivalence about standing out and continue to write superb books like this one.
Pub Date: March 1, 1997
ISBN: 0-674-35439-7
Page Count: 112
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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