A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

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GARDENS OF AWE AND FOLLY

A TRAVELER'S JOURNAL ON THE MEANING OF LIFE AND GARDENING

A charming stroll through some public gardens.

Swift (Le Road Trip: A Traveler's Journal of Love and France, 2012, etc.) plainly loves the experience of gardens: the plentitude and solitude they offer, the colors and the scents, the tea rooms that provide the opportunity to relax and reflect. She also loves the idea of the garden, the ideal of one. For her, each garden says something significant about the city where it is situated, and gardens in general say something about humankind as a whole: “Ever since we first recognized ourselves as beings burdened with the mission of taking charge of this harsh, perplexing, seemingly pointless, and beautiful speck of dirt in the universe, our kind has been making gardens.” Thus, a garden is more than a garden; it is a means through which we make order, beauty, and sense. It is through gardens that “Earth has given life to every Eden we’ve ever imagined.” For armchair travelers and gardeners, Swift proves an engaging guide to gardens in locales ranging from Key West and post-Katrina New Orleans to Paris (“gardening capital of the world”) and Marrakech. Of the eight locations visited, Long Island would seem to be the odd place out, but that’s where the author lives. The chapter on London is perhaps the most compelling, focusing on change, both its inevitability and the natural resistance to it. The author returns to a favorite garden that she had discovered back when “travel was cheap and the Sex Pistols were dangerous,” only to learn that what she had once considered her private preserve was now a popular tourist attraction, its quaintness “redesigned…to make it dazzlingly relevant for the 21st century.” Yet disappointment gave way to acceptance, and Swift made her peace with the garden to which she returned, which was no longer the garden she had planned to write about.

A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

Pub Date: March 1, 2016

ISBN: 978-1-63286-027-9

Page Count: 176

Publisher: Bloomsbury

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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