Next book

GARDENS OF AWE AND FOLLY

A TRAVELER'S JOURNAL ON THE MEANING OF LIFE AND GARDENING

A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

A charming stroll through some public gardens.

Swift (Le Road Trip: A Traveler's Journal of Love and France, 2012, etc.) plainly loves the experience of gardens: the plentitude and solitude they offer, the colors and the scents, the tea rooms that provide the opportunity to relax and reflect. She also loves the idea of the garden, the ideal of one. For her, each garden says something significant about the city where it is situated, and gardens in general say something about humankind as a whole: “Ever since we first recognized ourselves as beings burdened with the mission of taking charge of this harsh, perplexing, seemingly pointless, and beautiful speck of dirt in the universe, our kind has been making gardens.” Thus, a garden is more than a garden; it is a means through which we make order, beauty, and sense. It is through gardens that “Earth has given life to every Eden we’ve ever imagined.” For armchair travelers and gardeners, Swift proves an engaging guide to gardens in locales ranging from Key West and post-Katrina New Orleans to Paris (“gardening capital of the world”) and Marrakech. Of the eight locations visited, Long Island would seem to be the odd place out, but that’s where the author lives. The chapter on London is perhaps the most compelling, focusing on change, both its inevitability and the natural resistance to it. The author returns to a favorite garden that she had discovered back when “travel was cheap and the Sex Pistols were dangerous,” only to learn that what she had once considered her private preserve was now a popular tourist attraction, its quaintness “redesigned…to make it dazzlingly relevant for the 21st century.” Yet disappointment gave way to acceptance, and Swift made her peace with the garden to which she returned, which was no longer the garden she had planned to write about.

A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

Pub Date: March 1, 2016

ISBN: 978-1-63286-027-9

Page Count: 176

Publisher: Bloomsbury

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview