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SINGER TO THE SEA GOD

A novelist with an impressive range—psychological suspense (The Trial of Anna Cotman, 1990), engaging fantasy (The Monster Garden, 1988), and more—takes a markedly different tack with a quest set in ancient Greece and drawing freely on its myths. Phaidon, slave in the court where his uncle Pelops is cook, is a horrified observer when Perseus turns up with Medusa's head and turns the king and his fellows to stone. But at least this affords an opportunity to escape servitude, which he does along with Pelops, another boy (Gordius), and a young man who loved Phaidon's sister Cleo—who was also turned to stone, and whose marble remains encumber their flight. The group's adventures include a run-in with crafty mariners who abandon them on an island before absconding with Cleo; escaping between Scylla and Charybdis (unnamed here) with the help of Iris, a capable young castaway who joins their band; and taking service with a dangerously unpredictable new king, perhaps in accordance with an oracle. Along the way, they encounter three women resembling the Fates, and there are other mythic references (Gordius is good at knots); Phaidon's gift for singing also proves useful. Alcock toys inconclusively with the question of superstition—after all, Cleo is stone and remains so—and fans may be disappointed to find the story amiably petering out in an epilogue rather than coming to a climax in one of the author's incisively addressed moral dilemmas. Still, a good yarn. (Fiction. 10-14)

Pub Date: Feb. 1, 1993

ISBN: 0-385-30866-3

Page Count: 208

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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PERCY JACKSON'S GREEK GODS

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.

Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.

Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)

Pub Date: Aug. 19, 2014

ISBN: 978-1-4231-8364-8

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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