Next book

PELTSE AND PENTAMERON

Peltse And Pentameron ($39.95; paper $14.95; Dec. 1996; 200 pp.; 0-8101-1219-1; paper 0-8101-1237-X): Two stories of Soviet ideological purity unhinged by the unruly humanity of the people who aspire to it. The shorter, Peltse, surveys the brief, unhappy life of a village misfit, from embattled youth through his maturity as a dedicated Party functionary—as remembered by the comrades who never understand how such submergence in the cause paradoxically fulfilled his modest dreams. The novella-length Pentameron observes a day in the addled professional and personal lives of a man and four women who work as translators for the Department of Scientific and Technical Information. It's a salutary comic display of how people expected to function as uniform cogs in the machinery of the Party are instead diverted and defused by the nonpartisan imperatives of family problems, money, and sex. . . .

Pub Date: Dec. 1, 1996

ISBN: 0-8101-1219-1

Page Count: 200

Publisher: Northwestern Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1996

Categories:

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • National Book Critics Circle Winner

Next book

2666

Unquestionably the finest novel of the present century—and we may be saying the same thing 92 years from now.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • National Book Critics Circle Winner

Life and art, death and transfiguration reverberate with protean intensity in the late (1953–2003) Chilean author’s final work: a mystery and quest novel of unparalleled richness.

Published posthumously in a single volume, despite its author’s instruction that it appear as five distinct novels, it’s a symphonic envisioning of moral and societal collapse, which begins with a mordantly amusing account (“The Part About the Critics”) of the efforts of four literary scholars to discover the obscured personal history and unknown present whereabouts of German novelist Benno von Archimboldi, an itinerant recluse rumored to be a likely Nobel laureate. Their searches lead them to northern Mexico, in a desert area notorious for the unsolved murders of hundreds of Mexican women presumably seeking freedom by crossing the U.S. border. In the novel’s second book, a Spanish academic (Amalfitano) now living in Mexico fears a similar fate threatens his beautiful daughter Rosa. It’s followed by the story of a black American journalist whom Rosa encounters, in a subplot only imperfectly related to the main narrative. Then, in “The Part About the Crimes,” the stories of the murdered women and various people in their lives (which echo much of the content of Bolaño’s other late mega-novel The Savage Detectives) lead to a police investigation that gradually focuses on the fugitive Archimboldi. Finally, “The Part About Archimboldi” introduces the figure of Hans Reiter, an artistically inclined young German growing up in Hitler’s shadow, living what amounts to an allegorical representation of German culture in extremis, and experiencing transformations that will send him halfway around the world; bring him literary success, consuming love and intolerable loss; and culminate in a destiny best understood by Reiter’s weary, similarly bereaved and burdened sister Lotte: “He’s stopped existing.” Bolaño’s gripping, increasingly astonishing fiction echoes the world-encompassing masterpieces of Stendhal, Mann, Grass, Pynchon and García Márquez, in a consummate display of literary virtuosity powered by an emotional thrust that can rip your heart out.

Unquestionably the finest novel of the present century—and we may be saying the same thing 92 years from now.

Pub Date: Nov. 1, 2008

ISBN: 978-0-374-10014-8

Page Count: 912

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2008

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

NORMAL PEOPLE

Absolutely enthralling. Read it.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:
Close Quickview