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QUEEN OF THE ELEMENTS

From the The Sita's Fire Trilogy series , Vol. 2

A satisfying installment of a YA adaptation of an ancient Indian epic.

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Sheth (Shadows of the Sun Dynasty, 2016, etc.) focuses on the exploits of Rama in this second volume of the Sita’s Fire Trilogy.

In the continuation of her retelling of the Ramayana for YA readers, the author recounts the exile of the green-skinned Rama and his powerful wife, Sita, to the forest, away from the civilized lands of the Ayodhyans. The son of King Dasharatha, Rama was meant to ascend to the throne before Dasharatha’s wife, the devious Kaikeyi, engineered that the heir be banished for 14 years. With his new bride and his brother Lakshmana, Rama wanders in the wilderness. It is a time of adventure and growth for the hero: battling his perennial enemies, the blood-drinkers, and encountering wondrous creatures such as the giant Viradha, the vulture king Jatayu, and Shurpanakha, sister of the demon king Ravana. Rama gains the experience he will need if he is ever to fulfill his family’s prophecy: that a man of his line will be the one to finally kill Ravana, the 10-headed king of the blood-drinkers (“Every son of the Sun dynasty since Anaranya felt the burden of those words: would he be the one to do the unimaginable and slay Ravana?”). With Sita by his side, Rama feels prepared to meet any challenge. If he were to lose her, however, his destiny might be forever altered, and this is a fact that has not escaped Ravana’s notice. Accompanied by the delightful full-color illustrations of Johansson, this installment of Sheth’s trilogy replicates the immersive world enjoyed by readers in the previous volume. The author adeptly fleshes these ancient mythological figures into rounded, relatable characters who feel as human as any other in contemporary YA fantasy. Sita, with her complex emotions and conflicted history, is an especially compelling personality, and Sheth gives her ample page time to tell her story in her own words. Whether readers are familiar with the Ramayana—an Indian epic that has been popular throughout South Asia and beyond for centuries—or they are discovering these characters for the first time, the novel delivers time-tested stories playing out against a distinctive fantasy world.

A satisfying installment of a YA adaptation of an ancient Indian epic.

Pub Date: Aug. 8, 2017

ISBN: 978-1-60887-660-0

Page Count: 328

Publisher: Mandala Publishing

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 15, 2017

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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