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A TURN IN THE SOUTH

A revealing, disturbing, elegiac journey with Naipaul (Finding the Center: Two Narratives, 1984; etc.) as he shows us America's Deep South through his own eyes—and southerners as they see themselves. The South that Naipaul sees everywhere carries the weight of history: the history of race relations, the history of family, the history of subjugation by the North. The first half of the narrative is given to race relations: travelling through Charleston, all-black Tuskegee University, all-white Forsythe County, Naipaul records the candid opinions of blacks and whites (not a cheery picture). Religion is a constant presence, and for many, black and white, a primary source of identity. For others, identity is rooted in family history and status: this is an intensely class-conscious society. Naipaul visits a vast new Nissan plant and an industrial catfish farm; considers "rednecks" (discussing them with, among others, Eudora Welty), and, in conversation with songwriter Bob McDill, the appeal of country music. A visit to Elvis' birthplace leads to an understanding of the "redneck" soul. Talks with a cross section of Church of Christ congregations say much, as does a visit with up-and-coming far-right politician ("Jessecrat") Barry McCarty. Naipaul concludes his journey with the remarkable Jim Apple-white, a poet with a powerful vision of the beauty of the disappearing tobacco-farming culture. Naipaul uses both the alien nature of what he sees and the resonances it creates with his own past in Trinidad to etch his impressions subtly and deeply: a powerful, permanent portrait of a unique culture.

Pub Date: Feb. 10, 1988

ISBN: 0679724885

Page Count: 391

Publisher: Knopf

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Jan. 15, 1988

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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