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DARK CARNIVALS

MODERN HORROR AND THE ORIGINS OF AMERICAN EMPIRE

A lurid overview of some of the darkest dimensions of American history through the lens of the horror genre.

How terrifying narratives reflect the grisly realities of the American past and present.

In this follow-up to Wasteland: The Great War and the Origins of Modern Horror, history professor Poole surveys imaginative connections between the horror genre and the most brutal aspects of modern American history. The author argues that the appeal of these narratives can tell us a great deal about how the nation has struggled to make sense of its implication in imperial violence. “So much of the truth of the last one hundred years survives not in museum exhibitions or patriotic celebrations or lengthy documentary treatments but in horror films,” he writes. Focusing on a broad selection of representative films, TV shows, and fiction, Poole links particular works with events such as the Vietnam and Iraq wars, drawing out the allegorical significance of monstrous antagonists and their gory misadventures. The author ably demonstrates that horror narratives commonly serve two coexisting yet opposing functions: promoting fantasies about the nation’s ultimate innocence by displacing responsibility for domestic injustices or military aggression abroad onto some other party and insinuating, in often subtle but always unsettling ways, that one cannot evade guilt for misdeeds done in one’s name. The author makes it clear that paying close attention to works routinely dismissed as mere mindless escapism can be uncannily revealing about how unpleasant truths are publicly and privately repressed. Poole’s style shares a spirit with the sensationalism of the works he explores, and his emphasis on blunt (and sometimes reductive) assessments of complex historical phenomena and their representation in horror narratives can prove distracting. Nevertheless, the author provides persuasive commentary on the political inflections and emotional appeal of both well-known and obscure works. He is particularly insightful in probing such cultural touchstones as The Texas Chain Saw Massacre, Jaws, and The Twilight Zone.

A lurid overview of some of the darkest dimensions of American history through the lens of the horror genre.

Pub Date: Oct. 4, 2022

ISBN: 978-1-64009-436-9

Page Count: 384

Publisher: Counterpoint

Review Posted Online: Aug. 11, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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