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Private Investigator: Sub Rosa in a Nut Shell

Educational, entertaining; intended for starter detectives but ideal for anyone interested in the minutia of modern...

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Thomson’s debut work of nonfiction—part memoir, part guidebook—provides “the nitty-gritty of worker’s compensation insurance investigations.”

The author, a licensed private investigator, worked primarily for the Insurance Company of Southern California on suspected insurance fraud cases. His beat spanned from Modesto to Capistrano. His tools were both traditional gumshoe and high-tech, the essential components of what’s known in his industry as “sub rosa,” or covert, surveillance. Over a decadeslong career, which Thomson admits was low paying and “often humdrum,” the author recounts covering wrongful death assignments and scoping out cheating spouses. Sometimes, worker’s compensation insurance cases had their own unique and interesting twists; Thomson shares a memorable one in the short chapter “The Woman with Two Claims.” He examines the advances in surveillance equipment since the 1980s but notes that nothing works better than patience, a featureless car with good fuel economy and the ability to make quick U-turns, and old-fashioned note taking. Aside from being crucial to fact-finding, investigative notes serve as the raw material for requisite written reports. The author’s experiences as a process server helped him learn how to keep dogs at bay and navigate large apartment complexes. Thomson shares many small tips, some obvious, some subtle, on the legalities regarding privacy, as well as the importance of notifying local police of stakeouts and how to control the unprofessional and distracting “jiggle” that can mar clandestine camerawork. To identify the right person at an address, he suggests a unique method of mailing a large, bright envelope or a teddy bear, anything innocuous but easily spotted from afar, to establish the intended “claimant.” At times, Thomson’s writing reads as a dry surveillance report, but when he wanders into the shaky area of “pretext” and expresses his thoughts on running red lights or relieving oneself on stakeout, the peculiarity of his voice can be engaging.

Educational, entertaining; intended for starter detectives but ideal for anyone interested in the minutia of modern investigative work.

Pub Date: Jan. 25, 2013

ISBN: 978-1479781591

Page Count: 76

Publisher: Xlibris

Review Posted Online: July 18, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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