A solid offering affirming Black American identity.
Hudson pays tribute to the brave African American foremothers and -fathers who led the way.
With admiration and unflinching detail, the author explores the early years of Black America. Captured from their homes in Africa, shipped as human cargo, “sold like goods,” and enslaved in fields and homes, these people from different backgrounds fought back in various ways against brutal treatment. When freedom “rang” for the new nation, it didn’t ring for Black people, enslaved or free. But Black people organized, “overcame and withstood,” ultimately creating Black America, “a place for them to be!” Three spreads of dates from 1738 to 1831 list accomplishments that mark the beginning of Black America before the final pages relate those early efforts to today’s experiences. Hudson’s text is lyrical and lively, and the unique focus on the early years of creating what is now known as Black America results in a welcome addition to children’s bookshelves. The unconventional format, with a timeline in the middle, makes this best suited for independent readers. Extensive backmatter will further satisfy curious readers. Lewis’ watercolor and gouache illustrations combine portraits, scenes, and spot art; a hazy effect obscures details. (This book was reviewed digitally.)
A solid offering affirming Black American identity. (author’s and artist’s notes, historical context, sources) (Informational picture book. 6-10)Pub Date: Sept. 12, 2023
ISBN: 9781635925098
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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