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COURAGE, EVERY DAY

A sweet, instructive look at everyday bravery.

Papa has many answers when a youngster asks, “What is courage?”

Tomorrow marks a momentous occasion for an East Asian–presenting child with pale skin and straight black hair: a musical performance in front of a crowd of people. “But there are thousands of butterflies fluttering in my tummy,” the child tells us. White-outlined butterflies surround the youngster. “I believe in you,” Papa says as he hands the protagonist a violin. “Have courage.” But what is courage? Papa catalogs many different types of bravery, from saving the day to making small but meaningful choices and speaking up for what’s right. Next, the protagonist reflects on “times that I chose not to give up. Times that I said sorry for my mistakes. Times that I shared my feelings.” At last, the child concludes that “I may still feel scared sometimes, but I will remember, I find courage, every day.” Butterflies—now in color—fill the air as the child plays the violin onstage the next day. Wong’s soothing text offers guidance on using self-talk to cope in the face of fear and anxiety. Delicate, charming artwork uses varied compositions and a warm palette to depict this father-and-child duo, while Beautyman’s swirly butterfly motif helps emphasize that courage can be found even in simple, quotidian moments. An author’s note explains to parents and teachers how to help children build resilience in the face of uncertainty.

A sweet, instructive look at everyday bravery. (Picture book. 4-8)

Pub Date: Sept. 15, 2024

ISBN: 9781668945117

Page Count: 32

Publisher: Tilbury House

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MAGICAL YET

A solid if message-driven conversation starter about the hard parts of learning.

Children realize their dreams one step at a time in this story about growth mindset.

A child crashes and damages a new bicycle on a dark, rainy day. Attempting a wheelie, the novice cyclist falls onto the sidewalk, grimacing, and, having internalized this setback as failure, vows to never ride again but to “walk…forever.” Then the unnamed protagonist happens upon a glowing orb in the forest, a “thought rearranger-er”—a luminous pink fairy called the Magical Yet. This Yet reminds the child of past accomplishments and encourages perseverance. The second-person rhyming couplets remind readers that mistakes are part of learning and that with patience and effort, children can achieve. Readers see the protagonist learn to ride the bike before a flash-forward shows the child as a capable college graduate confidently designing a sleek new bike. This book shines with diversity: racial, ethnic, ability, and gender. The gender-indeterminate protagonist has light brown skin and exuberant curly locks; Amid the bustling secondary cast, one child uses a prosthesis, and another wears hijab. At no point in the text is the Yet defined as a metaphor for a growth mindset; adults reading with younger children will likely need to clarify this abstract lesson. The artwork is powerful and detailed—pay special attention to the endpapers that progress to show the Yet at work.

A solid if message-driven conversation starter about the hard parts of learning. (Picture book. 4-8)

Pub Date: April 14, 2020

ISBN: 978-1-368-02562-1

Page Count: 40

Publisher: Disney-Hyperion/LBYR

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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