A mildly revisionist political biography of the last Tudor monarch. As presented by MacCaffrey (History/Harvard), the resolutely unsentimental Elizabeth I is less the indomitable, manifestly destined virago of English national myth than a wary practitioner of royal Realpolitik, gingerly testing the waters before plotting any course in the unpredictable seas of late Renaissance statecraft. In fact, given the conventional heroic picture of the Elizabethan Age, the Virgin Queen proves a surprisingly cautious, even timid, helmsperson here, loath to commit her authority to a consistent path in domestic politics or to expend her nation's slim human and material resources on overseas adventures. She appears as a compulsive consensus-builder always conscious of the fragility of her constituency and the challenges to her authority posed by her sex, the religious schisms still racking the English polity, and the constant intrigues of her Scottish cousin and rival, Mary Stuart. MacCaffrey organizes his study well, defining and dealing with each of the major political issues of Elizabeth's reign in turn—notably, the domestic religious situation, its international repercussions, and Elizabeth's interactions with Mary and the monarch's other rivals, suitors, and aspiring successors. In the author's convincing portrait, we see a political establishment in the throes of a sometimes uncertain transition between a waning feudalism and a nascent, still very uncertain, modernity. But the almost exclusively political focus here threatens to engulf its human subject in the sometimes bewildering machinations of Tudor diplomacy: MacCaffrey's speculations, for instance, that the spectacular theatricality of the Elizabethan court ``probably helped to fulfil the emotional needs of a lonely and isolated human being'' are an exception to his strict reliance on the documentary record. A solid, scholarly study that will please historians—but leave latter-day monarchists still searching for the human essence of the fascinating Elizabeth I. (Illustrations)
Pub Date: Nov. 1, 1993
ISBN: 0-340-56167-X
Page Count: 472
Publisher: Routledge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1993
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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