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THE CORRESPONDENCE OF WALTER BENJAMIN, 1910-1940

Demanding yet eloquent and immensely rewarding personal documents of one of the century's leading literary and aesthetic critics. It's the grimmest of ironies that one of the earliest letters here should find the young philosopher standing metaphorically ``at a border crossing''—for Benjamin would end his life by his own despairing hand at a Spanish frontier post in 1940, his entry barred as he fled the advancing Nazi armies. Yet that image of the perpetual traveler on the threshold well suits the writer portrayed in these letters: equally a self-professed materialist devoted to the modern age and a bibliophile immersed in the literary past; close to many circles—Adorno and the Frankfurt School, Brecht's literary collective, Gershom Scholem's Zionism (the three men were among his correspondents, as well)—yet fully a member of none; a voracious consumer of the world yet always something of an outsider. The most bleakly memorable section here is the letters- -almost half the total—recording Benjamin's long and lonely years of exile, beginning with Hitler's seizure of power and ending with his own death. Here Benjamin faces up to his own uncertain prospects, as the material means for his work—living space, even the writing paper he coveted—dwindle and vanish. Constantly changing postmarks bear witness to his peripatetic and increasingly desperate search for refuge; above all, he bears witness to his growing sense of emotional and intellectual isolation. Yet he sets to his work, ``the shelter I step beneath when the weather grows rough outside,'' to recover something from the very culture whose collapse is about to engulf him—a quixotic venture that nevertheless compels our admiration. Unfortunately, this volume—simply a translation, with no new editorial apparatus, of the 30-year-old German edition—is a little unforgiving on the general reader: It's a shame the publisher hasn't supplied more biographical, historical, and cultural context to encourage nonspecialists to make Benjamin's fascinating acquaintance.

Pub Date: June 1, 1994

ISBN: 0-226-04237-5

Page Count: 680

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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