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SELECTED WRITINGS

VOL. I: 1913-1926

A cause for excitement among literary essayists and critics: Walter Benjamin's scattered works are at last being translated and collected in a carefully edited edition. The great German essayist died by his own hand while in flight from the Nazis. Between 1913 and his suicide in 1940 he wrote a great many essays and reviews in his native German. Relatively few have appeared in English translation. Hannah Arendt, who knew him and admired his work, edited a concise selection of his essays under the title Illuminations in 1969. The scholar Peter Demetz published a further selection under the title Reflections in 1978. Though these solid editions remain in print, and though various of Benjamin's other works have appeared here and there in translation, most of his writings—including some of his most extraordinary accomplishments—have never been translated. The loss for American readers is substantial. At long last, under the general editorship of Jennings (German/Princeton), and in collaboration with other prominent Benjamin experts, a three-volume, chronologically organized edition of the essays, memoirs, reviews, aphorisms, fragments, and other short forms is being issued. The present volume includes a fine translation of the crucial essay on Goethe's novel The Elective Affinities. The overall quality of the translations is high, even though they are by diverse hands. And in Benjamin's special case, this is no mean accomplishment: His German prose can be arrestingly precise, but it can also be extraordinarily difficult, and not infrequently it is nearly opaque. His peculiar gift was not for writing lucid, logical essays but instead for lightning flashes of sudden, precise, and idiosyncratic illumination. The translators have supplied useful (though relatively sparing) explanatory notes, and the editors have appended a narrative chronology of Benjamin's life through 1926. While there is some overlap with existing editors, this new Benjamin set will be the standard work. (For a biography of Benjamin, see Brodersen, p. 1436.)

Pub Date: Dec. 1, 1996

ISBN: 0-674-94585-9

Page Count: 518

Publisher: Harvard Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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