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TALES MY FATHER NEVER TOLD

Reminiscences of life with father don't idealize a family tyrant's lovable eccentricities, revealing instead the pain both parent and child suffer in the struggle to be men. The 91-year-old Edmonds (Drums Along the Mohawk, 1936, etc.) movingly evokes his boyhood in New York City and on a beloved family farm upstate. Walter Edmonds päre, a successful patent lawyer, married a woman some 20 years his junior who bore him three children. He was 53 years old when son Walter—called ``Watty'' —was born, the middle child. The family home was 18 West 11th Street (the infamous townhouse later blown up by 1960s radicals, Edmonds notes in an aside), but the clan's heart was at Northlands, the upstate dairy farm where parents and children adjourned each year from May to November. There, the two stubborn Walters had their most memorable clashes. One abusive autumn was recounted in Edmonds's novel, The South African Quirt (1985), but the essays here show both father and son at their most recalcitrant. ``Fishing with a Fly'' captures a young boy's excitement over his first fly rod—and his competitiveness with a father renowned for hunting and fishing prowess. (Father was so proud of an eight-and-a-quarter-pound trout caught on a fishing trip that when his eight-pound, three-ounce firstborn was presented to him, he reminded his wife that the trout was bigger.) Other essays depict a mother's lost love, a rebellion by the servants, and, finally, a burgeoning if tentative mutual respect between father and son reached as Watty left for college. Simple and simply told stories, capturing the constantly shifting sands of the father-son relationship and the appeal of life before the Depression.

Pub Date: March 13, 1995

ISBN: 0-8156-0307-X

Page Count: 224

Publisher: Syracuse Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1995

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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