Mouse is a nice, bright 14-year-old—but not quite sure how he feels about his dad turning up after an absence of eight years to date his mom and to make a clumsy effort to be friends with him. Mouse is also interested in gifts—but not enough to threaten his long-term friendship with buddy Styx, who is as tall as Mouse is short. During an eventful Harlem summer, the two are involved in a treasure hunt: the grandfather of one of the girls in their group knows another old codger who knows a kid in Queens whose grandmother once showed him where a gangster hid his loot. There really is money hidden—not as much as they imagined, but, still, found amid some satisfactory TV publicity; more important, Mouse weathers his first romance and reaffirms his friendship with Styx. Introducing each chapter with a dozen or so lines of rap, Myers uses its musical devices to splendid advantage in Mouse's narrative. Puns, rhythms, and glancing humore enrich a text that would have intrigued James Joyce with its inspired use of sound and allusion. Meanwhile, Myers paints a memorable portrait of a good kid who still likes to confide in his mother but who is finding that he may want to keep the sex life he's about to have private—and whose adventures can be as funny (and as fundamentally innocent) as Woody Allen trying to rob a bank. A beautifully written, thoroughly entertaining caper; an impressive addition to Myers' already impressive Oeuvre.
Pub Date: April 25, 1990
ISBN: 0064403564
Page Count: 196
Publisher: Harper & Row
Review Posted Online: Oct. 19, 2011
Kirkus Reviews Issue: March 15, 1990
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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