THE THRILL OF FEAR

250 YEARS OF SCARY ENTERTAINMENT

In The Secret Museum (1987), Kendrick traced the rise and influence of literary pornography. Here, in an equally freewheeling study, the Fordham English professor excavates another cultural back-alley—that of horror literature and film. Kendrick's basic thesis is two-fold: that horror arises from ``the fear of being dead,'' and that, since this fear is endemic to the modern (i.e., post-1750) condition, horror entertainments tend to recycle the same themes and styles. Drawing on impressively deep research, he develops both ideas admirably (although failing to deal adequately with the theory, propounded by Stephen King in Danse Macabre and by others, that the modern horror glut has arisen in response not only to death but to the terrors of contemporary life: nuclear war, urban violence, etc.). Kendrick finds horror to be a primarily emotional medium, with its roots in the 18th-century ``invention'' of intentional emotionality: ``modern fright is a kind of connoisseurship, a deliberate indulgence that recognizes no aim beyond itself.'' By century's end, he shows, with the appearance of Graveyard poetry and the novels The Castle of Otranto and The Monk, horror's course had been set, with the obsession with the past and sepulchral settings, even the tendency to graphically depicted terrors, all in place. During the next two centuries, these traits underwent many transformations, which Kendrick details thoroughly and colorfully—his discussions of Grand Guignol theater and of mid-20th-century horror films are particularly insightful, while his appreciation of contemporary horror's self-awareness, as exemplified in fans' ``sophisticated'' approach to film gore and in the rise of ``psychotronic'' criticism, is refreshingly on the mark. Of most value for its in-depth look at the genre's seminal works, Kendrick's lively and penetrative ramble through horror's vaults is an excellent companion to King's Danse Macabre, which remains the last word on contemporary horror.

Pub Date: Oct. 1, 1991

ISBN: 0-8021-1162-9

Page Count: 310

Publisher: Grove

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1991

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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