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RUMO AND HIS MIRACULOUS ADVENTURES

Read it as allegory. Read it as a fairy tale. Whatever, it’s amusing—but still too long by half.

An overstuffed confection that threatens to collapse under its own heft.

Cross Lord of the Rings with Yellow Submarine, throw in dashes of Monty Python, Douglas Adams, Shrek and The Princess Bride, season with more serious fare such as The Tin Drum and The Odyssey. That’s the sort of alchemy in which this sprawling novel by German writer/artist Moers (The 13 1/2 Lives of Captain Bluebear, not reviewed) trades, and part of the pleasure of reading it is to see what echoes will next bounce off its crags. Adults may be a touch embarrassed to be seen with a book about a little “Wolperting” who “would one day become Zamonia’s most illustrious hero,” a critter who grows up in the farmyard of (seven, naturally) Hackonian dwarves but somehow, magically, sheds his animal qualities and learns to wield a sword most impressively. Rumo’s skills come in handy as he goes off into the wide world of men and Demonocles (“If asked what fate he hoped to avoid at all costs, the average Zamonian tended to reply: Being captured by the Demonocles”), when the book becomes a touch more mature. Along the way, he falls in with a pretty girl Wolperting and encounters enemies, such as the unspeakably evil General Ticktock (think Ian McKellen in a very bad mood), to say nothing of a madcap king who, in one of Moers’s wonderful line drawings, resembles Klaus Kinski’s Nosferatu. The General has big plans, and he employs very bad assistants such as “Tykhon Zyphos’s Subcutaneous Suicide Squad,” micro-ninjas who conjure up images of Fantastic Voyage, sans Raquel Welch. These are nothing, though, compared to the Smarmies, critical creatures who go about wounding writers’ literary self-esteem . . .

Read it as allegory. Read it as a fairy tale. Whatever, it’s amusing—but still too long by half.

Pub Date: Sept. 7, 2006

ISBN: 1-58567-725-6

Page Count: 684

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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