An entertaining tale that provides a wide variety of troubles for its protagonist.
After saving family members from hit men, a writer and motorcyclist finds himself on the run and wanted for murder in Littrell’s (Lone Wolf’s Run, 2014, etc.) thriller.
Sam Forest, who writes travel stories for a biker magazine, is devastated by the news that his younger brother, Dave, has suffered a fatal heart attack. Sam stays with his cousin, Sue, in North Carolina while making funeral arrangements. Later, he’s horrified when the funeral home botches the cremation. When he returns to Sue’s house, he finds that two gunmen are threatening her and her husband; fortunately, he has a Glock and gets the drop on the intruders and kills them. It appears that the assassins were looking for him, although he doesn’t know why. Later, the funeral home becomes the site of arson and murder, and Sam becomes the police’s primary suspect. He manages to evade authorities, helped by a fellow biker named Boudin, whom he recently befriended. Sam may be able to prove his innocence with help from his pal and his biker family, as well as from Detective Vick Summers, the only cop in town who doesn’t think that he’s a vicious killer. But he and those close to him, including a new love interest, Betsy, soon find themselves targeted by an outlaw motorcycle club and pitiless smugglers. Littrell’s novel maintains a consistent pace, due to a slew of villains who keep Sam on the run, including corrupt law enforcement officers; the rogues’ gallery’s highlights include an enigmatic figure named Mr. B and an evil motorcycle gang leader named Slash. The latter’s unmitigated cruelty while torturing one victim establishes him as the main antagonist, and he has a significant part in the action-packed final act. The author is at his best, however, when describing scenes of bikers riding, such as Sam in the Appalachian Mountains: “The trees growing on the steep mountain slopes around him cast deep shadows as they filtered out the remaining light from the sky above.” The ending leaves open the possibility for a sequel, although the book reads well as a stand-alone.
An entertaining tale that provides a wide variety of troubles for its protagonist.Pub Date: Jan. 9, 2018
ISBN: 978-1-4582-2156-8
Page Count: 378
Publisher: AbbottPress
Review Posted Online: July 18, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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