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THE BARGAIN SHOPPER

A playful, if often dense, work about a man at odds with history, America, and himself.

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In LaTour’s debut novel, a professional shopper comes unwound during the coronavirus pandemic.

Toulouse Charles Rochambeau is not, by own admission, a “modern man.” Although he’s scion of a once-prominent family (his French ancestor helped Gen. George Washington defeat the British at Yorktown), the 60-something Charles works for his living. Specifically, he’s employed as the “Certified Professional Shopper” and majordomo for blue-blooded divorcee and “giftaholic” Beatrice Wolcott, who owns a three-acre farm in Westchester County. Charles himself resides down the road in a tiny studio apartment in a hideous modern building owned by Beatrice’s inept handyman, Ryan Keneally. Charles is highly literate, unbearably pretentious, and preternaturally good at finding bargains: “You will never see me in a department store from November to March. These ‘sales’ are fraudulent or outright scams. Stores charge ‘bust out retail prices.’ By Thanksgiving, retailers gradually withdraw discounts and promotions, mark things up and insidiously bolster their net selling prices and profit margins.” He grouses his way through life with little positive to say about anyone other than his aristocratic employer, whose closeness with Ryan fills him with suspicion. A fierce believer in the American dream—which he feels he has been denied—Charles maintains increasingly contrarian positions regarding Covid-19 as the pandemic continues. While he attempts to unspool the nature of the relationship between Beatrice and Ryan and hatches plans to restore the Wolcotts (and, therefore, the Rochambeaus) to greatness, the bargain shopper and self-described “Soldier of Truth” recounts missed opportunities in his life and pens a manifesto worthy (in his mind) of the philosophical and literary greats that crowd his bookshelves.  

In Charles’ narration, LaTour’s prose takes on a delusional grandiosity worthy of Laurence Sterne’s Tristram Shandy, littered with literary references, syntactical gymnastics, and orotund vulgar jokes. Here, for example, the narrator asserts that his talent for shopping is equivalent to a sex act, thus allegedly producing an orgasmic reaction in a cashier: “To put it bluntly, my vendeur, Donna has been transmogrified into a horny wench. Although not quite une salope. Nakedly exposed to the staggering value of my purchases, she is turned on—not just aroused, but desperate to seduce my monster, the unrepentant Dingle Screw.” The story is rather threadbare, but the plot is hardly the point: This book is centered solely on the voice and personality of Charles, who proves, ultimately, to be even stranger than he initially appears. The shopper is a proud Luddite, and much about the novel feels like a throwback to an earlier literary postmodernism. Even so, Charles manages to capture something of the madness of the moment, as embodied in a certain type of aging White American male (former president Donald Trump included, who’s referenced often). Readers will know after only a page or so whether this book is for them, but it’s most likely to appeal to fans of such verbose authors as Sterne, James Joyce, and John Kennedy Toole.

A playful, if often dense, work about a man at odds with history, America, and himself.

Pub Date: Jan. 1, 2023

ISBN: 9781736534700

Page Count: 204

Publisher: Bridlegoose Books

Review Posted Online: March 12, 2023

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  • New York Times Bestseller

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: today

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