by W.C. Latour ‧ RELEASE DATE: Jan. 1, 2023
A playful, if often dense, work about a man at odds with history, America, and himself.
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In LaTour’s debut novel, a professional shopper comes unwound during the coronavirus pandemic.
Toulouse Charles Rochambeau is not, by own admission, a “modern man.” Although he’s scion of a once-prominent family (his French ancestor helped Gen. George Washington defeat the British at Yorktown), the 60-something Charles works for his living. Specifically, he’s employed as the “Certified Professional Shopper” and majordomo for blue-blooded divorcee and “giftaholic” Beatrice Wolcott, who owns a three-acre farm in Westchester County. Charles himself resides down the road in a tiny studio apartment in a hideous modern building owned by Beatrice’s inept handyman, Ryan Keneally. Charles is highly literate, unbearably pretentious, and preternaturally good at finding bargains: “You will never see me in a department store from November to March. These ‘sales’ are fraudulent or outright scams. Stores charge ‘bust out retail prices.’ By Thanksgiving, retailers gradually withdraw discounts and promotions, mark things up and insidiously bolster their net selling prices and profit margins.” He grouses his way through life with little positive to say about anyone other than his aristocratic employer, whose closeness with Ryan fills him with suspicion. A fierce believer in the American dream—which he feels he has been denied—Charles maintains increasingly contrarian positions regarding Covid-19 as the pandemic continues. While he attempts to unspool the nature of the relationship between Beatrice and Ryan and hatches plans to restore the Wolcotts (and, therefore, the Rochambeaus) to greatness, the bargain shopper and self-described “Soldier of Truth” recounts missed opportunities in his life and pens a manifesto worthy (in his mind) of the philosophical and literary greats that crowd his bookshelves.
In Charles’ narration, LaTour’s prose takes on a delusional grandiosity worthy of Laurence Sterne’s Tristram Shandy, littered with literary references, syntactical gymnastics, and orotund vulgar jokes. Here, for example, the narrator asserts that his talent for shopping is equivalent to a sex act, thus allegedly producing an orgasmic reaction in a cashier: “To put it bluntly, my vendeur, Donna has been transmogrified into a horny wench. Although not quite une salope. Nakedly exposed to the staggering value of my purchases, she is turned on—not just aroused, but desperate to seduce my monster, the unrepentant Dingle Screw.” The story is rather threadbare, but the plot is hardly the point: This book is centered solely on the voice and personality of Charles, who proves, ultimately, to be even stranger than he initially appears. The shopper is a proud Luddite, and much about the novel feels like a throwback to an earlier literary postmodernism. Even so, Charles manages to capture something of the madness of the moment, as embodied in a certain type of aging White American male (former president Donald Trump included, who’s referenced often). Readers will know after only a page or so whether this book is for them, but it’s most likely to appeal to fans of such verbose authors as Sterne, James Joyce, and John Kennedy Toole.
Pub Date: Jan. 1, 2023
ISBN: 9781736534700
Page Count: 204
Publisher: Bridlegoose Books
Review Posted Online: March 12, 2023
Review Program: Kirkus Indie
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by W.C. Latour
by Barbara Kingsolver ‧ RELEASE DATE: Oct. 6, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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