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THE BARGAIN SHOPPER

An outlandish tale of self-identity that ably ridicules modern life and its conventions.

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In Latour’s satire, a tech-hating man in the modern world reflects on his past transgressions.

Charles Rochambeau feels he was “born into the wrong century.” He abhors social media and smartphones and is steadfastly apolitical. He’s perfectly suited to his job as a majordomo for wealthy Madame Beatrice Wolcott’s estate in New York state. More specifically, he’s the Bargain Shopper—a “Certified Professional Shopper” who scores massive savings for Beatrice at physical stores, never making purchases online. Charles’ narration also contains his “confessions.” Although he’s the descendent of a celebrated French military figure, his privileged youth ultimately hit a few snags. His father’s bad investments, for starters, forced him to drop out of the Taft School in Connecticut. As a “teenager with nowhere to go,” Charles found himself entangled with a mobster type who roped him into making regular cocaine drop-offs. What the young man aimed for, however, was realizing the American dream, and he believed that his next inevitable step was pursuing higher education. Since he was a high school dropout, Charles finagled his way into college without having to officially register. Of course, as Charles later learned between bouts of tracking down deals in stores, Beatrice and her family members have their share of alarming secrets as well. And just because he has steady employment and a trustworthy boss doesn’t mean his life has gotten any easier. As a self-appointed “Soldier of Truth,” the confessions in these pages are meant to be some form of redemption, but digging into the past may instead drive Charles to a truth he won’t willingly accept.

Latour’s story, at times, comes across as a random series of misadventures without a cohesive plot to connect them. In addition, some major developments hardly affect Charles—most notably Covid-19 restrictions cutting off access to his in-store bargain shopping; Beatrice simply asks him if he wants to be laid off, which he declines. However, Charles’ intellectual storytelling brims with quotes from such figures as Oscar Wilde and W.B. Yeats, coupled with hearty cynicism and unabashedly lowbrow humor. Intriguingly, Charles avoids leaning one particular way on most issues; for example, he takes an “agnostic stance” on religion and also commends aspects of Christianity, and he scoffs at Covid-19 restrictions as well as people who don’t take the pandemic seriously. Although Charles is definitely not a very likable guy, he will sometimes earn readers’ sympathy, especially regarding his relationship with Beatrice; he unquestionably cares for her well-being and is therefore wary of her closeness to a married friend. The story delivers comical asides throughout, from a store canceling Charles’ credit card after deeming him an “unprofitable customer” to his business ideas, such as a grilled-cheese–themed restaurant franchise and an unorthodox Covid-19 test. The final act takes a surprising and genuinely intriguing turn as revelations come to light. It’s the type of ending that may lead readers to reexamine what they’ve just read and better accept the book’s occasional disjointedness.

An outlandish tale of self-identity that ably ridicules modern life and its conventions.

Pub Date: Jan. 1, 2023

ISBN: 9781736534700

Page Count: 204

Publisher: Bridlegoose Books

Review Posted Online: Aug. 8, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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