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THE BARGAIN SHOPPER

An outlandish tale of self-identity that ably ridicules modern life and its conventions.

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In Latour’s satire, a tech-hating man in the modern world reflects on his past transgressions.

Charles Rochambeau feels he was “born into the wrong century.” He abhors social media and smartphones and is steadfastly apolitical. He’s perfectly suited to his job as a majordomo for wealthy Madame Beatrice Wolcott’s estate in New York state. More specifically, he’s the Bargain Shopper—a “Certified Professional Shopper” who scores massive savings for Beatrice at physical stores, never making purchases online. Charles’ narration also contains his “confessions.” Although he’s the descendent of a celebrated French military figure, his privileged youth ultimately hit a few snags. His father’s bad investments, for starters, forced him to drop out of the Taft School in Connecticut. As a “teenager with nowhere to go,” Charles found himself entangled with a mobster type who roped him into making regular cocaine drop-offs. What the young man aimed for, however, was realizing the American dream, and he believed that his next inevitable step was pursuing higher education. Since he was a high school dropout, Charles finagled his way into college without having to officially register. Of course, as Charles later learned between bouts of tracking down deals in stores, Beatrice and her family members have their share of alarming secrets as well. And just because he has steady employment and a trustworthy boss doesn’t mean his life has gotten any easier. As a self-appointed “Soldier of Truth,” the confessions in these pages are meant to be some form of redemption, but digging into the past may instead drive Charles to a truth he won’t willingly accept.

Latour’s story, at times, comes across as a random series of misadventures without a cohesive plot to connect them. In addition, some major developments hardly affect Charles—most notably Covid-19 restrictions cutting off access to his in-store bargain shopping; Beatrice simply asks him if he wants to be laid off, which he declines. However, Charles’ intellectual storytelling brims with quotes from such figures as Oscar Wilde and W.B. Yeats, coupled with hearty cynicism and unabashedly lowbrow humor. Intriguingly, Charles avoids leaning one particular way on most issues; for example, he takes an “agnostic stance” on religion and also commends aspects of Christianity, and he scoffs at Covid-19 restrictions as well as people who don’t take the pandemic seriously. Although Charles is definitely not a very likable guy, he will sometimes earn readers’ sympathy, especially regarding his relationship with Beatrice; he unquestionably cares for her well-being and is therefore wary of her closeness to a married friend. The story delivers comical asides throughout, from a store canceling Charles’ credit card after deeming him an “unprofitable customer” to his business ideas, such as a grilled-cheese–themed restaurant franchise and an unorthodox Covid-19 test. The final act takes a surprising and genuinely intriguing turn as revelations come to light. It’s the type of ending that may lead readers to reexamine what they’ve just read and better accept the book’s occasional disjointedness.

An outlandish tale of self-identity that ably ridicules modern life and its conventions.

Pub Date: Jan. 1, 2023

ISBN: 9781736534700

Page Count: 204

Publisher: Bridlegoose Books

Review Posted Online: Aug. 8, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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