by Wendell Minor ; illustrated by Wendell Minor ‧ RELEASE DATE: Aug. 15, 2013
Playing with scale and prompting readers to think big ensures a quick and entertaining tour to awesome sights.
Minor focuses his attention on the symbolic gourd of fall, juxtaposing national landmarks or record-setting structures with visions of impossibly enormous pumpkins or jack-o’-lanterns.
The title poses a tantalizing question that leads gracefully from the real to the surreal. What follows in each full-bleed spread is a famous site—man-made or natural—painted with watercolor and gouache that majestically captures the impressiveness of the place. He includes in these illustrations an image of a wildly oversized pumpkin. It’s a quirky notion, and it kind of works. Few children would seek out a book on important places to see across the United States. A better bet is a title like this one, which imparts that information while also making them laugh at the sheer humor in the pictures. One image shows the highest roller coaster feeding into the open mouth of a fierce-looking jack-o’-lantern. Another pumpkin innocently stops traffic when it is placed in the middle of the Brooklyn Bridge. Yet another smiles up close as a rocket takes off from Cape Canaveral. From Connecticut to California, 14 places are featured. More information about them is provided at the end of the book.
Playing with scale and prompting readers to think big ensures a quick and entertaining tour to awesome sights. (Picture book. 4-8)Pub Date: Aug. 15, 2013
ISBN: 978-0-399-24684-5
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Jack E. Levin ; illustrated by Jack E. Levin ‧ RELEASE DATE: Oct. 30, 2018
Preaches to the choir.
A picture-book introduction to the police.
A preface by the author/illustrator’s son Mark R. Levin, a lawyer and Fox News personality, tells readers, “My father…understands that in all walks of life, and in every profession, man’s imperfections present themselves.” But, distressed by “news reports painting police officers…in an extremely negative light,” he was stirred to create this book so that young readers might “learn to respect law and order.” After that beginning, straightforward text combines with simple, childlike illustrations to introduce various types of police officers and what they do, including traffic police, dog handlers, and state troopers. Unsurprisingly, this is an unnuanced, positive portrayal. “When a fierce hurricane hits, the police remain steadfast. Amid the rising floodwaters, they search for missing people and stranded pets.” The book does not fall into the common trap of adducing the criminality of those arrested but not yet tried—indeed, there’s just one depiction of an arrest, in the beam of light cast by a police helicopter as the text reads that its job is to “make sure all is safe in the surrounding neighborhood.” It is deeply unfortunate, however, in a book that is attempting to rehabilitate the police with young audiences, that the vast preponderance of officers depicted appear to be white (as are those they interact with). Nowhere in the book’s determined cheerleading is there room to respect the experiences of those who have lost family members and friends to the police and who themselves feel targeted.
Preaches to the choir. (Informational picture book. 4-8)Pub Date: Oct. 30, 2018
ISBN: 978-1-5344-2950-5
Page Count: 40
Publisher: Aladdin
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Hannah Carmona Dias ; illustrated by Brenda Figueroa
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