A tenacious attempt to answer the question, “How do ordinary little human cogs make up a torture machine?”
Through the grim travails of one of Saddam Hussein’s top generals, journalist Steavenson (Stories I Stole, 2003) examines the dictator’s edifice of totalitarianism and moral corruption.
Taking her title from a verse of the Koran promising to mete out justice even to the “weight of a mustard seed,” the author weaves a fascinating account of how good men went terribly wrong. Steavenson worked as a journalist in Baghdad in 2003–04 and continued her interviews of exiled Iraqis in London and elsewhere, probing deeply into the stories of former Baath Party officials. Through a high-level Iraqi doctor who had served in the medical corps during the course of four Iraqi wars, the author was put in touch with the surviving family of Kamel Sachet, a commander of the special forces and general in charge of the army in Kuwait City during the Gulf War. The general was shot as a traitor by order of the Iraqi president in 1998. Born to an illiterate family in 1947, Sachet became a policeman and then joined the special forces, rising through the ranks to major. He distinguished himself during the Iran-Iraq war, gaining Hussein’s trust but also his occasional ire, which led to prison and torture. Sachet led the assault into Kuwait, but with the retreat and subsequent scourge by the United States, he became disillusioned with the violence and bloodshed and retired as a devout Muslim. Steavenson ably explores his and others’ obedience in fulfilling the dictator’s grisly demands, echoing works by Hannah Arendt, Primo Levi and Stanley Milgram.
A tenacious attempt to answer the question, “How do ordinary little human cogs make up a torture machine?”Pub Date: March 17, 2009
ISBN: 978-0-06-172178-6
Page Count: 304
Publisher: Collins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
Puccini wins the prize for most-maligned great composer. In a fit of depressive self-deprecation, Puccini himself called his own music ``sugary,'' and the persistent popularity of his mature operas at box-offices around the world for nearly a century has too often provoked critical condescension, as if art so well-loved could not possibly be worth much. But that situation, thankfully, is changing, and this much-needed essay collection on Puccini by leading scholars of 19th- and 20th-century Italian opera is worth a good deal more than several new biographies. The volume ranges from a lengthy piece on Puccini's family by his granddaughter (one of the editors) to chapters devoted to Puccini's ``musical world'' and each of his operas by luminaries such as William Weaver, Harvey Sachs, Fedele D'Amico, Verdi heavyweights Mary Jane Phillips-Matz and Julian Budden, and William Ashbrook. A favorite: David Hamilton's expert investigation of the early Tosca recordings, especially the legendary ``Mapelson cylinders'' of live Metropolitan Opera performances from 1902-03, to see what light they shed on Puccini's original interpreters. The editors, perhaps hoping to attract non-musicologist admirers of the Luccan master, issue the disclaimer that ``this is not a work of scholarship'' (even though two of the chapters make a start on an accessible Puccini bibliography). They needn't have worried. Lovers of Puccini and Italian opera at every level of interest and knowledge will want this book. (Photographs—not seen)
Pub Date: Feb. 28, 1994
ISBN: 0-393-02930-1
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
One of the great pitchers in baseball history (and one of the most outspoken and disagreeable), Gibson recalls his storied career with the capable help of Wheeler (I Had a Hammer, not reviewed) and shows he's not done being ``difficult.'' A ferocious competitor who made his living pitching high and tight, Gibson had a reputation throughout his 17 years with the St. Louis Cardinals for being just as uncompromising and angry off the field, especially concerning racial matters. Gibson was raised in an Omaha, Nebr., housing project, where his older brother was hero, mentor, and coach. After college, Gibson, who claims that he was better at basketball than baseball, signed a contract with both the Cardinals and the Harlem Globetrotters, playing one year for the latter. He calls his first professional baseball manager, Johnny Keane, ``the closest thing to a saint that I came across in baseball.'' When Keane replaced Solly Hemus (whom Gibson despised) in 1961, it turned the Cardinals', and Gibson's, fortunes around. Known for his extraordinary performances in the postseason, Gibson had a World Series record of 7-2, with a 1.89 ERA and an incredible 92 strikeouts over 81 innings. He won 20 games in five different seasons and in 1968 posted a 1.12 ERA in 305 innings. Gibson offers some fun and insightful recollections of big games, friends, and teammates such as Tim McCarver, Joe Torre, and Bob Uecker, and legendary matchups with Juan Marichal (``the best pitcher of my generation''), Sandy Koufax, and Don Drysdale. Despite his Hall of Fame credentials, Gibson claims he's been ostracized from the game and hasn't held a baseball job since 1984. Though he grouses a lot about being slighted by major league baseball and rehashes all-too-familiar racial difficulties, it is refreshing to get the fiery Gibson's take on the grand old game. (8 pages b&w photos, not seen) (First printing of 75,000; $75,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-670-84794-1
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
BOOK REVIEW
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