by Wendy Orent ‧ RELEASE DATE: May 12, 2004
Though hedged with qualifiers, Orent’s message is chilling, and her stories of previous epidemics make palpable the enormity...
Vivid recounting of past outbreaks of plague, coupled with ominous predictions of man-made ones that may lie ahead.
Science journalist Orent, who worked on the English version of Igor Domaradskij’s memoir Biowarrior (not reviewed), opens with a visit to Obolensk, site of the lab where Domaradskij claims to have worked on turning plague and other diseases into biological weapons. His former colleague Lev Melnikov tells the author that her job is to scare the American public, to make them see the danger posed by genetically altered plague germs. Pursuing that goal with vigor, Orent argues here that while there is no proof that a highly lethal, vaccine- and antibiotic-resistant plague weapon has ever been made, the technology may now exist to produce it. She reports on what scientists currently know about the different forms of plague and the ways it is spread across species and from person to person. To familiarize readers with its horrors, she focuses on three great pandemics: the Justinian Plague of the sixth century, the medieval Black Death, and the early-20th century’s Third Pandemic, primarily in India and China. While records of the Justinian Plague are comparatively scanty, contemporary accounts of the Black Death illustrate the panic it created and the devastation that it wrought across Europe. (Of special interest are Orent’s descriptions of public health measures taken by Italian city-states.) Not until the Third Pandemic did researchers begin to unravel the disease’s mysteries, identifying the plague bacillus and discovering the connection among rodents, fleas, and humans. Natural plague can now be controlled through careful monitoring, medical treatment, and quarantine, but weaponized, genetically engineered plague remains a possibility, she argues. If we are to believe her Russian scientists, the seed strains still exist, and so does the scientific knowledge to turn plague into a bioweapon that could turn up in the hands of terrorists.
Though hedged with qualifiers, Orent’s message is chilling, and her stories of previous epidemics make palpable the enormity of the threat.Pub Date: May 12, 2004
ISBN: 0-7432-3685-8
Page Count: 288
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2004
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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