As mesmerizing as a mermaid’s kiss, the story dances with emotion, fire, and promise
Orr (Nim’s Island, 2001, etc.) delivers a fantasy that follows an ill-fated girl’s journey from abandoned to accepted.
When Aissa is born with tiny, pink thumbs wiggling from her wrists, the Lady, her mother, is furious. Why have the gods forsaken her, the Lady wonders. Unable to bear the imperfection of her child, she demands that the wise-woman Kelya take the child and toss it off a cliff. Kelya cannot do it, however, and instead places the babe with a family that has just lost a newborn. Thus begins the arduous journey of a child forced to survive by her wits, who seems doomed to suffer loss after loss. Orphaned a second time and now a nameless servant in the palace, now-12-year-old Aissa sees opportunity in being chosen a bull dancer, one of the yearly sacrifices to the Bull King—but without a name, she cannot be chosen. Orr tells her tale in both narrative poetry and prose for an effect that is both fanciful and urgent, drawing a rich fantasy landscape filled with people and creatures worthy of knowing. An introductory note describes Orr’s inspiration in the legend of the Minotaur, but her story is no retelling but a meditation on rejection and acceptance, on determination and self-determination. The shifts between poetry and prose build tension just as surely as the bull dances do.
As mesmerizing as a mermaid’s kiss, the story dances with emotion, fire, and promise . (Fantasy. 10-14)Pub Date: Oct. 27, 2017
ISBN: 978-1-77278-037-6
Page Count: 408
Publisher: Pajama Press
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Exciting, if largely unexplained, adventures fill this Greek mythology–inspired boarding school fantasy.
Can Penelope survive her first, disaster-ridden months at Anaximander’s Academy, where graduates earn gifts from their Greek god patrons?
In this series opener, 13-year-old Penelope Weaver and her twin brother, Paris, eagerly anticipate joining Anaximander’s intellectual and well-ordered Athena Hall, like their parents before them. But the moment they reach the school grounds in western Massachusetts, Penelope—and no one else—ricochets from one supernatural adventure to another, ruining all her plans. To her and her family’s horror, she ends up being assigned to the cheerfully chaotic Aphrodite Hall. More disasters follow. Penelope’s muse is rude and useless, her 12 assigned labors make no sense, Paris (who’s in Athena Hall) grows distant and unsupportive, their parents are disappointed, and her terrifying adventures keep derailing her education. She’s ready to give up and leave—but her roommate, Fifi, becomes a supportive friend, and the Aphrodites prove much nicer and more fun than the Athenas. Maybe if Penelope soldiers on, the chaos might start to make sense? Anaximander’s provides a creatively imagined and well-described setting for the hapless, sympathetic, and resilient Penelope’s adventures. Her evolution from an uber-controlled “Athena girl” into someone more flexible who learns what true friends are is believable and gratifying. While her adventures are compulsively readable, many story elements remain frustratingly lacking in context. The secondary characters lack depth; Fifi reads Black, and her characterization evokes the Black best friend trope. Penelope’s family is cued white.
Exciting, if largely unexplained, adventures fill this Greek mythology–inspired boarding school fantasy. (Fantasy. 10-13)Pub Date: Feb. 3, 2026
ISBN: 9781665985468
Page Count: 448
Publisher: Aladdin
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
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