by Weshoyot Alvitre ; illustrated by Weshoyot Alvitre ‧ RELEASE DATE: April 15, 2025
A tender tale woven with themes of resilience, courage, and love for Indigenous men.
An Indigenous boy feels pride and joy in having traditional braids.
“Braids are brave,” begins Alvitre’s (Tongva) book about hair, heritage, and resilience. The child, who narrates, explains that his long golden-brown hair is both a source of ancestral honor and a target for bullying by unkind classmates. The boy draws strength from his father, grandpa, and great-grandpa, who all lived through different eras of discrimination and cultural genocide. In the face of these traumas, the narrator’s father emphasizes the child’s right to wear his hair long. Alvitre’s striking, cartoon-style illustrations fill the page, relying on rich colors and details to connect multiple generations of the protagonist’s patrilineal family. Some of the story’s examples of bravery may put off some readers. In one instance, the narrator praises his grandfather for suppressing emotion—“They cut his hair. He did not cry. He showed no fear”—which hews close to “boys don’t cry” messaging. Still, Alvitre’s poignant narrative primarily focuses on encouraging younger generations of Indigenous children to “feel loved and comfortable with who you are”—particularly for the courage that they demonstrate when confronting anti-Indigenous prejudice. This story has much to teach Native and non-Native kids alike about the painful history of assimilation and the power of familial affirmation.
A tender tale woven with themes of resilience, courage, and love for Indigenous men. (Picture book. 4-8)Pub Date: April 15, 2025
ISBN: 9780593531600
Page Count: 32
Publisher: Kokila
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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