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IN BLACK AND WHITE

THE LIFE OF SAMMY DAVIS, JR.

An American life considered with art and understanding in a major work of biography. (40 photos in text)

Robust update and emendation of the entertainer’s well-known autobiography.

Sammy Davis Jr. (1925–90) wasn’t black inside, wasn’t white outside, writes Haygood (The Haygoods of Columbus, 1997, etc.). He was simply a performer. He never spent a day in a classroom. Soon after Sammy learned to walk, he learned to work. Under the aegis of his father and adoptive uncle, veteran vaudeville hoofers, he mastered flash dancing and the soft shoe. The hardscrabble life was exhausting and exhilarating, but the prodigy of “The Will Mastin Trio starring Sammy Davis Jr.” had energy to burn. He danced, sang, played various instruments, and did spot-on mimicry. Life on the road in the biz wasn’t life on the streets or the ghetto. Sammy’s buddies were Jerry Lewis, Tony Curtis, Jeff Chandler, and Eddie Cantor (without blackface) as well as the Step Brothers and the Nicholas Brothers. Color meant little until a quick stint in the Army brought a new awareness that he was not white, as many who knew him thought he wanted to be. Though he had previously married a black showgirl at the strong behest of the Mob, he preferred white women, especially blonds like Kim Novak and May Britt, whom he married. Throughout, he had a complex relationship with generous, arrogant Frank Sinatra. Sammy’s insatiable need for approval brought him to Richard Nixon, but he was no handkerchief-head, asserted friends like Harry Belafonte and Sidney Poitier (fighting popular black opinion). Haygood uses “Negro” consistently until the time in his narrative when “black” becomes favored as the story advances from Bill Robinson and Marcus Garvey past the Rat Pack to porn stars at the Davis Hollywood home. The movies, the clubs, the Broadway shows, the spending, the devastating results of bad driving, and the demons are all covered perceptively.

An American life considered with art and understanding in a major work of biography. (40 photos in text)

Pub Date: Oct. 13, 2003

ISBN: 0-375-40354-X

Page Count: 528

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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