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LITTLE LONG-NOSE

In the Treasures series, a book that is not only nicely designed for small hands, but is the most appealing version since Lisbeth Zwerger's Dwarf Nose (1994) of an original tale that is replete with evil spells and gourmet cookery, from a contemporary of the Brothers Grimm. When young Jacob insults an old woman in the marketplace, she turns him into a squirrel for seven years. Forced to be one of her many furry servants, he rises through the rodentine hierarchy to Cook, regains a distorted version of his human form, and escapes; later, as chef for the Duke, he rescues a wizard's daughter who has been transformed into a goose, thus regaining his original features. Stoddart supplies a generous sheaf of small, neatly painted scenes done in a neoclassical style, capturing both the story's humor and its informal but elegant tone. A beautiful little volume. (Fiction. 10-12)

Pub Date: Oct. 1, 1997

ISBN: 0-7636-0327-9

Page Count: 95

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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BEOWULF

“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)

Pub Date: Nov. 1, 2006

ISBN: 0-7636-3206-6

Page Count: 96

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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