For those who might enjoy a dog book, a science book, or just a good story.

LUCY AND THE ROCKET DOG

Lucy must be a very intelligent girl, since she is able to build a rocket capable of traveling nearly the speed of light from stray parts—that then accidentally launches her hapless basset hound, Laika, into space.

From that point, the tale alternates between Laika’s strange adventures and Lucy’s not especially commonplace life, as the white, science-focused girl learns to manage her grief over her lost dog and grows into a very clever astrophysicist. She’s so clever that she wins the Nobel Prize for physics. Laika’s adventures simply increase in strangeness, as she’s rescued by doglike extraterrestrials in a bone-shaped spacecraft that passes through a wormhole on its way to Alpha Centauri. For Laika, time spins rapidly past. For Lucy, a lifetime goes by before they are miraculously reunited. The tale is told in often repetitive language that’s reminiscent of Roald Dahl’s style, with most sentences unvarying in structure. This somehow imparts a sense of fable rather than mere story, but this style has the potential to grow tedious and annoying. Saving it from tedium are Laika’s delicious doggy enthusiasm, Arnaldo’s evocative illustrations, the lovely, simple explanation of difficult concepts of space and time, and, of course, a very happy ending.

For those who might enjoy a dog book, a science book, or just a good story. (Science fiction. 10-14)

Pub Date: Aug. 15, 2017

ISBN: 978-0-399-55432-2

Page Count: 160

Publisher: Knopf

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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Series fans may enjoy this patched-together prelude.

RISE OF THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series

Twin wizards duel, fret, switch roles, and fall for the same guy in this prequel to the popular series.

Continuing on the theme that it isn’t as easy to distinguish good from evil as it might seem, Chainani goes back to a time when the titular school was run by a pair of immortal adolescents. School Masters Rhian and Rafal have been told that loving one another is the only way to maintain the balance between Good and Evil at the school, but a long run of folk and fairy tales written out by the mysterious pen called the Storian—in which Good triumphs—has led to a fraternal rift. The assignment of decided scapegrace Aladdin to, astonishingly, the School for Good widens the antagonism (could the Storian have made a mistake?). But though Aladdin is the main point-of-view character for major stretches in the early going, no sooner does he hook up with dazzling schoolmate Princess Kyma than the author shoves him deep into the supporting cast to make room for a jealousy-fueled break and some bad behavior that comes when first Rafal then Rhian lock gazes and lips with pirate trainee James Hook (latest of a long line of villains defeated by a certain other ageless teen). Most of the cast reads as White. Lush but rare illustrations underscore dramatic incidents.

Series fans may enjoy this patched-together prelude. (Fantasy. 11-14)

Pub Date: May 31, 2022

ISBN: 978-0-06-316152-8

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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