An astonishing saga of suffering and joy, guilt, evil, redemption and truth.
A teen raised in an isolated religious cult deals with the aftermath of the fire that destroyed her community.
Hill (Darkest Night, 2015, etc.) loosely bases his story on the 1993 standoff between the Branch Davidians of Waco, Texas, and federal agents. Seventeen-year-old Moonbeam has been raised from toddlerhood in the Holy Church of the Lord’s Legion, an arid, closed compound outside the fictional town of Layfield, Texas. Essentially orphaned after the early death of her father and the banishment of her mother, she considers the other cult members her family while at the same time beginning to recognize that their lives revolve not around God but around the will of their dictatorial leader, Father John. But that was before FBI agents invaded and an inferno destroyed her world. Now Moonbeam lives locked inside a federal building with 18 other children from the cult, gradually recounting her life to psychiatrist Dr. Hernandez and Agent Carlyle. The complex, brutal story unfolds slowly, in alternating chapters labeled “before” and “after,” as Moonbeam learns to trust both her captors and herself. British author Hill creates a wholly believable world full of complex, interesting characters; he exposes Father John's madness and the mind control of the cult without denigrating either the people who followed him or religion itself. Characters’ races are not identified.
An astonishing saga of suffering and joy, guilt, evil, redemption and truth. (author’s note) (Fiction. 14-adult)Pub Date: Oct. 1, 2018
ISBN: 978-1-4926-6979-1
Page Count: 464
Publisher: Sourcebooks Fire
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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