If the elevator pitch for this book wasn't "Dracula meets James Bond," it was pretty close. Shortly after the events of the Gothic classic, the British government formed the supersecret Department 19, its founding members the good guys who staked the Count, plus Van Helsing's valet. In 2007, that valet’s descendent (all the founders’ descendents are automatically invited to join Department 19) is brutally gunned down in front of his wife and son. Two years later, 16-year-old Jamie Carpenter is prematurely inducted into Department 19—nicknamed Blacklight—after his mother is kidnapped by a vampire and the Department’s Colonel Frankenstein rescues him (the monster, not the doctor; though his history is the novel’s, he looks like Boris Karloff from the movies). What follows is plenty of high-octane action, groovy specialized vampire-fighting equipment, buckets of gore, intriguing historical side trips and even a little romance between Jamie and a sexy teen vampire. Jamie will do anything to rescue his mother, which leads to constant violations of the chain of command, angry outbursts and unauthorized missions—forget James Bond; Blacklight’s a lot more like the fractious gang of 24. Readers will identify the inevitable double-crosser long before Jamie does, but they probably won't mind. They'll be so happy these vampires don't sparkle they'll forgive the novel’s excesses and keep flipping the pages to the next splatter-fest—and then they'll demand the sequel. (Horror. 14 & up)
Pub Date: April 1, 2011
ISBN: 978-1-59514-406-5
Page Count: 544
Publisher: Razorbill/Penguin
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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