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AFTER THE FIRE

An astonishing saga of suffering and joy, guilt, evil, redemption and truth.

A teen raised in an isolated religious cult deals with the aftermath of the fire that destroyed her community.

Hill (Darkest Night, 2015, etc.) loosely bases his story on the 1993 standoff between the Branch Davidians of Waco, Texas, and federal agents. Seventeen-year-old Moonbeam has been raised from toddlerhood in the Holy Church of the Lord’s Legion, an arid, closed compound outside the fictional town of Layfield, Texas. Essentially orphaned after the early death of her father and the banishment of her mother, she considers the other cult members her family while at the same time beginning to recognize that their lives revolve not around God but around the will of their dictatorial leader, Father John. But that was before FBI agents invaded and an inferno destroyed her world. Now Moonbeam lives locked inside a federal building with 18 other children from the cult, gradually recounting her life to psychiatrist Dr. Hernandez and Agent Carlyle. The complex, brutal story unfolds slowly, in alternating chapters labeled “before” and “after,” as Moonbeam learns to trust both her captors and herself. British author Hill creates a wholly believable world full of complex, interesting characters; he exposes Father John's madness and the mind control of the cult without denigrating either the people who followed him or religion itself. Characters’ races are not identified.

An astonishing saga of suffering and joy, guilt, evil, redemption and truth. (author’s note) (Fiction. 14-adult)

Pub Date: Oct. 1, 2018

ISBN: 978-1-4926-6979-1

Page Count: 464

Publisher: Sourcebooks Fire

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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AFTERSHOCKS

The final third doesn't quite match the can't-put-down promise of the start.

Two teens are trapped in a California earthquake—a big one.

Aghast to discover that her mother is dating her high school water polo coach, Ruby skips practice in favor of the laundromat beside the liquor store, where she hopes she can find someone to buy her a beer. She's approaching the only other person there, a boy who appears slightly older than her, when the ground begins to thrash. Ruby dives for cover but the building collapses—she's trapped. So is the boy, named Charlie. Though they can't move or see each other, they converse over the next day and a half while injury, dehydration, and aftershocks make their situation ever more perilous. When rescuers eventually come, Ruby is reunited with her mother and friends. Told in Ruby's first-person voice, with flashbacks detailing her relationships with her mother, boyfriend, and best friend, Mila, the accounts of the quake and its immediate aftermath and the relationship that develops between Ruby and Charlie are immediate, visceral, and compelling. But the rescue comes less than halfway through the book, and after that both pacing and plot falter. Suspense leaks out, and what should be emotional reunion scenes feel underwritten. The novel defaults to an all-white cast.

The final third doesn't quite match the can't-put-down promise of the start. (resources) (Fiction. 14-18)

Pub Date: Sept. 29, 2020

ISBN: 978-1-4197-3917-0

Page Count: 336

Publisher: Amulet/Abrams

Review Posted Online: May 16, 2020

Kirkus Reviews Issue: July 1, 2020

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HOW SHE DIED, HOW I LIVED

A veneer of gravitas hides little substance.

Coming to terms with a brutal murder in small-town Virginia gets complicated when the unnamed narrator falls for Charlie, the victim’s bereaved boyfriend.

Of the five girls Kyle texted, one of whom was the protagonist, only Jamie responded. Kyle said he needed a listening ear, and Jamie was kind. After confessing to her murder, Kyle was jailed immediately. A year later, the other four girls are asked to testify at the sentencing hearing for which the death penalty is sought. Coping with her feelings is still hard for the narrator; when her relationship with Charlie turns intimate, his violent grief and hatred of Kyle threaten to destroy their romance. While the protagonist barely knew either killer or victim, she nearly responded positively to Kyle’s text suggesting they get high—a near miss that haunts her during a year of agony. The female characters object to threats from boys while passively tolerating other behavior and comments that amount to sexual harassment. The protagonist’s sharp eyes, wry views, and judgments are highlights, but excessive length, low stakes, and dead-end plot twists that work against suspense try readers’ patience. The presence of genuine literary merit, particularly in the portrayal of intense grief, only serves to highlight aspects of the book that fall short, such as insufficient development of Kyle’s character. One girl’s Asian boyfriend excepted, characters are presumed white.

A veneer of gravitas hides little substance. (Fiction. 14-18)

Pub Date: Nov. 13, 2018

ISBN: 978-0-316-52381-3

Page Count: 416

Publisher: Little, Brown

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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