by Will Hillenbrand & illustrated by Will Hillenbrand ‧ RELEASE DATE: April 1, 2009
The artistic journey of a porcine Parisian painter. From an early age, Louie has loved to draw and to listen to the fanciful stories of his mother’s piglethood, when she went to school in an old schoolhouse “that was covered in vines.” At school he gets in trouble for drawing while other students dutifully work on their lessons. Desperate, Mother sends Louie to his uncle and aunt, who own a hotel. Despite some missteps, he continues to develop his artwork, and his aunt and uncle introduce him to their friend Vincent, an art dealer. Louie’s career begins in earnest but really takes off when, while recuperating from a bicycle accident, he meets his muse, a little girl recovering from an appendectomy proudly showing off her scar in the next room. Hillenbrand’s not-so-surprise twist: Louie’s human counterpart is Ludwig Bemelmans, the creator of Madeline; an interesting biographical note is provided. Hillenbrand’s lovely illustrations, intricately employing multiple media, are full of whimsy. His prose, however, though clearly a heartfelt homage, strains to wrestle Bemelmans’s biography into a playfully childlike story with only limited success. (Picture book. 6-8)
Pub Date: April 1, 2009
ISBN: 978-0-399-24707-1
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
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by Cynthia Rylant & illustrated by Sucie Stevenson ‧ RELEASE DATE: April 1, 1998
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Cynthia Rylant & illustrated by Sucie Stevenson
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by Cynthia Rylant ; illustrated by Arthur Howard
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by Leslie Helakoski & illustrated by Henry Cole ‧ RELEASE DATE: Feb. 1, 2006
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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by Leslie Helakoski ; illustrated by Keisha Morris
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