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THE MAZE

A well-crafted, straight-up adventure story from Hobbs (Ghost Canoe, 1997, etc.). Confined to a juvenile detention center after traveling through a series of foster and group homes, Rick escapes after trying to blow the whistle on corrupt guards. His flight ends at an isolated camp on the edge of a bewildering system of canyons known as the Maze District, in Utah’s Canyonlands National Park, where self-named biologist Lon Peregrino is nurturing six young condors bred in captivity. More accustomed to birds than people, Peregrino doesn’t pry into Rick’s past, allowing him instead to help keep the condors under observation while they acclimate themselves to new surroundings; he also fills Rick in on their history and behavior and, as the two become friends, teaches him to hang glide. As Rick eagerly soaks it all up, enter two rough locals, Carlile and Gunderson, with chips on their shoulders and a mean pit bull who immediately attacks and kills a condor. Lon suspects them of collecting Anasazi artifacts for the black market until Rick trails them to a cave full of pipe bombs and assault weapons. Hobbs sets the stage for a dramatic hang-glide rescue and throws in a major storm, after which the bad guys are collared and Rick is set on a more promising road. Both the breathtaking setting and the huge, rare birds are strong presences in this page-turner; Hobbs appends a condor release program’s web address for interested readers. (Fiction. 11-13)

Pub Date: Sept. 1, 1998

ISBN: 0-688-15092-6

Page Count: 201

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1998

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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