Readers who loved Lavender’s first book will doubtless delight in this one, while those who did not will find his latest...
Lavender (Obedience, 2008) takes on another puzzle-within-a-thriller, also set on a college campus.
Dr. Alex Shipley was a member of a special class of nine hand-picked students chosen for a night course taught by a former professor and convicted murderer, Dr. Richard Aldiss. Aldiss, who has made the study of the reclusive author Paul Fallows his life’s work, stands convicted of killing two graduate students. He’s set to teach the class from prison, under the watchful eyes of his guards. Naturally, it’s no ordinary class: Aldiss has sprinkled clues throughout the course, hoping to lead one student on a journey; in this case, it’s the beautiful Alex. She was spectacularly successful. Not only did she unlock Aldiss’ puzzle and help him win acquittal, but now Alex has returned to Jasper College to solve the death of a former classmate whose murder is a disturbing replica of the grad students’ deaths. When the remainder of the nine still living come together in a spooky mansion replete with a dean who likes to wear makeup, it is soon clear that there are strange things going bump in the night. With more bodies turning up, Alex finds that the killer’s true intention may be more personal than she might have ever imagined. The story is twisty and turny, with all kinds of side roads, but it’s mostly The Big Chill without the humor or sympathetic characters. The premise of the class, the police’s fawning reliance on a professor to solve their case, the mystery of exactly who Fallows might really be and the cast of weird characters come together in a story that often calls for the reader to suspend all rational thought. With action that veers from the original Aldiss class to the present and back, Lavender manages to maintain the novel’s taut, sinister atmosphere from the first page to the last. But in the end, the story is unsettling, unsatisfying and unbelievable.
Readers who loved Lavender’s first book will doubtless delight in this one, while those who did not will find his latest extremely tough reading.Pub Date: July 1, 2011
ISBN: 978-1-4516-1729-0
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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