A mixed bag but with some exceptional, Pushcart-worthy pieces of observation and reportage.
Following his memoir of life in the African nation of Lesotho, Everything Lost Is Found Again, McGrath delivers this set of essays, several of which return there and to neighboring African countries.
Among the most compelling, if infuriating, is a sketch of imperious White mine operators who, years after the nation’s independence, continue to scorn the intelligence and work ethic of Africans. “Let’s see what happens when we go,” said one contractor. “This country would fall apart without us.” Another essay that exposes White privilege finds McGrath in a scarcely populated part of Namibia, where he ponders an iconic noose, with all its hints of racism and violence. The author enjoys a good mystery, and one beguiling piece is just that, involving the misadventures of an iPhone, lost in the Hamptons, that improbably landed in Yemen, a journey tracked by software. Not all of the pieces quite work—e.g., an essay that intercuts the murder of a homeless woman in Phoenix with a portrait of the Renaissance painter and general ne’er-do-well Caravaggio. The occasional misfire notwithstanding, McGrath frames most of his stories so invitingly that one can’t help but read on, as when he asks, “Why does one go to an Elvis Presley impersonator festival in the county of Simcoe, in the province of Ontario, in the country of Canada, on the planet of Earth?” Less lighthearted but beautifully written is a tour de force exploring a tangled friendship with a homeless Black man, dying of cancer, who ran afoul of the medical orthodoxy, in part by admitting that he would try to find crack upon being released from the hospital. McGrath asked a ward nurse, “So why should Willie have to die on your drugs instead of his drugs?” It’s another good question, one of many.
A mixed bag but with some exceptional, Pushcart-worthy pieces of observation and reportage.Pub Date: Aug. 9, 2022
ISBN: 978-1-950-53950-5
Page Count: 220
Publisher: Dzanc
Review Posted Online: May 18, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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