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CLAWS

A Minnesota teen who thinks he leads the perfect life finds out that he doesn’t. All is golden for Jed: he’s number one on the tennis team; his father lets him drive his muscle Camaro; he’s got the prettiest girl in school adorning the passenger seat; his parents are rich, beautiful, and successful. All is golden, that is, until a mysterious girl demands a meeting one day to tell him that his father is having an affair with her mother—and suddenly all of Jed’s assumptions fly out the window. As he pursues the truth of the matter, his life begins to unravel, and he learns that he is just as subject to human misery as anyone else. Weaver (Memory Boy, 2001, etc.) succeeds beautifully in limning the raw emotions of a family under stress and in creating a brutally honest voice for his protagonist. When Jed comes home from school the day after his father moves out, his mother “suddenly began to weep. I crossed the foyer and held her. It was the least I could do. But it pissed me off, and she felt frail and sharp boned and lost, and something in my heart turned cold.” Weaver is less successful at developing the relationship between Jed and Laura, the girl who tells him of the affair. Their e-relationship is convincing, as is their growing attachment to each other, but the focus on emotion is wrenched off-course when Laura’s troubled little sister tries to paddle away to Canada and she and Jed pursue her through the Boundary Waters in a canoe. This diversion into outdoor adventure does another U-turn when their rescue ends in tragedy, and Jed ends up living in his bedroom, obsessed with a computer game in which he designs a family of total losers. Didactically appropriate, this apocalyptic ending nevertheless betrays the emotional honesty of the first half of the story. Worthwhile, but a pity about the trifurcated personality. (Fiction. YA)

Pub Date: March 1, 2003

ISBN: 0-06-009473-7

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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