Next book

THE SURVIVORS

Sobering, thoroughly credible and, ultimately, optimistic about the chances of our better natures triumphing when the going...

A family fleeing rapidly degenerating social order caused by world-changing volcanic eruptions finds respite and new heart in this well-crafted sequel to Memory Boy (2001).

Driven from their comfortable home outside Minneapolis in the previous episode by increasingly brutal hard times and a rising tide of lawlessness, the Newells have taken refuge in an isolated cabin in the north woods—knowing that they have to adapt to radically changed living conditions, and also to keep from being identified by local residents as homeless “Travelers” to be hustled along, or worse. Fortunately, eighth-grader Sarah and her equally urbanized, floundering parents have big brother Miles to lean on, with his tough, commonsense outlook, ready shotgun and a photographic memory stocked with information on living off the land. But they can’t always be dependent on him, as they discover when he is sidelined by a devastating injury. Weaver paints a realistic picture of life without electricity or plumbing, from the constant labor required to keep the wood pile stocked to killing and dressing a deer. And, even more compellingly, in the Newells’ contacts with others, he portrays a society in which some struggle to maintain cherished values and stability while others succumb to increasing suspicion, parochialism and desperation.

Sobering, thoroughly credible and, ultimately, optimistic about the chances of our better natures triumphing when the going gets rough. (Science fiction. 10-13)

Pub Date: Jan. 31, 2012

ISBN: 978-0-06-009476-8

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

Next book

DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

Next book

FINDING MIGHTY

A quick, agreeable caper, this may spark some discussion even as it entertains.

Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.

As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.

A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)

Pub Date: May 30, 2017

ISBN: 978-1-4197-2296-7

Page Count: 272

Publisher: Amulet/Abrams

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

Close Quickview