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THE SURVIVORS

Sobering, thoroughly credible and, ultimately, optimistic about the chances of our better natures triumphing when the going...

A family fleeing rapidly degenerating social order caused by world-changing volcanic eruptions finds respite and new heart in this well-crafted sequel to Memory Boy (2001).

Driven from their comfortable home outside Minneapolis in the previous episode by increasingly brutal hard times and a rising tide of lawlessness, the Newells have taken refuge in an isolated cabin in the north woods—knowing that they have to adapt to radically changed living conditions, and also to keep from being identified by local residents as homeless “Travelers” to be hustled along, or worse. Fortunately, eighth-grader Sarah and her equally urbanized, floundering parents have big brother Miles to lean on, with his tough, commonsense outlook, ready shotgun and a photographic memory stocked with information on living off the land. But they can’t always be dependent on him, as they discover when he is sidelined by a devastating injury. Weaver paints a realistic picture of life without electricity or plumbing, from the constant labor required to keep the wood pile stocked to killing and dressing a deer. And, even more compellingly, in the Newells’ contacts with others, he portrays a society in which some struggle to maintain cherished values and stability while others succumb to increasing suspicion, parochialism and desperation.

Sobering, thoroughly credible and, ultimately, optimistic about the chances of our better natures triumphing when the going gets rough. (Science fiction. 10-13)

Pub Date: Jan. 31, 2012

ISBN: 978-0-06-009476-8

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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I AM NUMBER FOUR

From the Lorien Legacies series , Vol. 1

If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)

     

 

Pub Date: Aug. 17, 2010

ISBN: 978-0-06-196955-3

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones.

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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