A Minnesota teen who thinks he leads the perfect life finds out that he doesn’t. All is golden for Jed: he’s number one on the tennis team; his father lets him drive his muscle Camaro; he’s got the prettiest girl in school adorning the passenger seat; his parents are rich, beautiful, and successful. All is golden, that is, until a mysterious girl demands a meeting one day to tell him that his father is having an affair with her mother—and suddenly all of Jed’s assumptions fly out the window. As he pursues the truth of the matter, his life begins to unravel, and he learns that he is just as subject to human misery as anyone else. Weaver (Memory Boy, 2001, etc.) succeeds beautifully in limning the raw emotions of a family under stress and in creating a brutally honest voice for his protagonist. When Jed comes home from school the day after his father moves out, his mother “suddenly began to weep. I crossed the foyer and held her. It was the least I could do. But it pissed me off, and she felt frail and sharp boned and lost, and something in my heart turned cold.” Weaver is less successful at developing the relationship between Jed and Laura, the girl who tells him of the affair. Their e-relationship is convincing, as is their growing attachment to each other, but the focus on emotion is wrenched off-course when Laura’s troubled little sister tries to paddle away to Canada and she and Jed pursue her through the Boundary Waters in a canoe. This diversion into outdoor adventure does another U-turn when their rescue ends in tragedy, and Jed ends up living in his bedroom, obsessed with a computer game in which he designs a family of total losers. Didactically appropriate, this apocalyptic ending nevertheless betrays the emotional honesty of the first half of the story. Worthwhile, but a pity about the trifurcated personality. (Fiction. YA)
Pub Date: March 1, 2003
ISBN: 0-06-009473-7
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
A heartfelt and emotional queer romance with a fresh paranormal twist.
Not even death can stop the love between two 16-year-old girls in Brighton, England, when one becomes a grim reaper.
Ashana Persaud, an Indo-Guyanese British girl, attends Whitehawk, a state school with a bad reputation. White redhead Poppy Morgan goes to posh Roedean. They meet when both are on school trips and hit it off right away, falling in love and planning their future. But when Ash dies on New Year’s Eve, she transforms into a grim reaper, working alongside two other teenage grim reapers to lead newly departed souls to Charon and his boat. They must avoid anyone they knew when they were alive, and they can only be seen in their previous, living forms by people who are about to die. Ash desperately wants to see Poppy again, but when she finally does, Poppy recognizes her. Ash’s new goal becomes to save Poppy from her impending fate even as the pair relish this second chance. The novel is split into two main sections, “Before” and “After.” Both are compelling, although they feel disjointed as readers meet several new characters in the latter half while Ash’s friends and family from the first part are sidelined. Still, it’s the romance that drives the story, and Ash and Poppy are so full of heart. Their feelings for each other are big and overwhelming, and this is an endearing and realistic representation of first love.
A heartfelt and emotional queer romance with a fresh paranormal twist. (Paranormal romance. 14-18)Pub Date: Sept. 27, 2022
ISBN: 978-1-250-86561-8
Page Count: 400
Publisher: Godwin Books
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
A timely and unabashedly feminist twist on a classic fairy tale.
Sixteen-year-old Bisou Martel’s life takes a profound turn after encountering an aggressive wolf.
Following an embarrassing incident between Bisou and her boyfriend, James, after the homecoming dance, a humiliated Bisou runs into the Pacific Northwest woods. There, she kills a giant wolf who viciously attacks her, upending the quiet life she’s lived with her Mémé, a poet, since her mother’s violent death. The next day it’s revealed that her classmate Tucker— who drunkenly came on to her at the dance—was found dead in the woods with wounds identical to the ones Bisou inflicted on the wolf. When she rescues Keisha, an outspoken journalist for the school paper, from a similar wolf attack, Bisou gains an ally, and her Mémé reveals her bloody and brave legacy, which is inextricably tied to the moon and her menstrual cycle. Bisou needs her new powers in the coming days, as more wolves lie in wait. Arnold (Damsel, 2018, etc.) uses an intriguing blend of magic realism, lyrical prose, and imagery that evokes intimate physical and emotional aspects of young womanhood. Bisou’s loving relationship with gentle, kind James contrasts with the frank exploration of male entitlement and the disturbing incel phenomenon. Bisou and Mémé seem to be white, Keisha is cued as black, James has light-brown skin and black eyes, and there is diversity in the supporting cast.
A timely and unabashedly feminist twist on a classic fairy tale. (Fantasy. 14-18)Pub Date: Feb. 25, 2020
ISBN: 978-0-06-274235-3
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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