New York fans will devour Helmreich’s genial, rich, and constantly illuminating travelogue.
An eminent walker in the city digs deep into New York’s largest borough, a place full of surprises.
Sociologist Helmreich (1945-2020) had an unusual passion: He walked every block of New York’s five boroughs, collecting stories and finding hidden treasures. Here, he does a second take on Queens, which, though the largest of the quintet, “might not be of particular interest” to visitors and residents alike. Although it’s home to the city’s two major airports, it’s a place people gallop through in order to reach Manhattan. All unfair, by Helmreich’s lights—2.3 million people live in the borough, which “contains fifty-seven distinct communities spread out over about 109 square miles.” Once a haven for Jewish, Polish, and Irish immigrants, many of those communities are now flourishing with newcomers from Africa, Central America, South Asia, and other venues, to say nothing of farms, parks, and “the city’s tallest tree.” The Corona area was Madonna’s first home in the city—and in a former synagogue at that—while Steinway Place was the site for a huge piano manufacturing plant. East Elmhurst was home to Malcolm X, Dizzy Gillespie, Eric Holder, and other notable African Americans while, back in Corona, Louis Armstrong’s home is “all that’s left of the black heritage” of old in a community that “is overwhelmingly Hispanic—with Puerto Ricans, Dominicans, and Mexicans predominating, and augmented by immigrants from many other Latin American lands.” Helmreich walks and walks, talking with street vendors, retirees watering their gardens, newcomers, and, it seems, thousands of other voices. He paints a vibrant portrait of a place constantly on the go yet at a far less hectic pace than Manhattan—and with better pizza, too, in venues like Howard Beach, “where the presence of Mafia members…[has] given the area a somewhat unsavory reputation.”
New York fans will devour Helmreich’s genial, rich, and constantly illuminating travelogue.Pub Date: Oct. 27, 2020
ISBN: 978-0-691-16688-9
Page Count: 488
Publisher: Princeton Univ.
Review Posted Online: July 6, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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