New York fans will devour Helmreich’s genial, rich, and constantly illuminating travelogue.
An eminent walker in the city digs deep into New York’s largest borough, a place full of surprises.
Sociologist Helmreich (1945-2020) had an unusual passion: He walked every block of New York’s five boroughs, collecting stories and finding hidden treasures. Here, he does a second take on Queens, which, though the largest of the quintet, “might not be of particular interest” to visitors and residents alike. Although it’s home to the city’s two major airports, it’s a place people gallop through in order to reach Manhattan. All unfair, by Helmreich’s lights—2.3 million people live in the borough, which “contains fifty-seven distinct communities spread out over about 109 square miles.” Once a haven for Jewish, Polish, and Irish immigrants, many of those communities are now flourishing with newcomers from Africa, Central America, South Asia, and other venues, to say nothing of farms, parks, and “the city’s tallest tree.” The Corona area was Madonna’s first home in the city—and in a former synagogue at that—while Steinway Place was the site for a huge piano manufacturing plant. East Elmhurst was home to Malcolm X, Dizzy Gillespie, Eric Holder, and other notable African Americans while, back in Corona, Louis Armstrong’s home is “all that’s left of the black heritage” of old in a community that “is overwhelmingly Hispanic—with Puerto Ricans, Dominicans, and Mexicans predominating, and augmented by immigrants from many other Latin American lands.” Helmreich walks and walks, talking with street vendors, retirees watering their gardens, newcomers, and, it seems, thousands of other voices. He paints a vibrant portrait of a place constantly on the go yet at a far less hectic pace than Manhattan—and with better pizza, too, in venues like Howard Beach, “where the presence of Mafia members…[has] given the area a somewhat unsavory reputation.”
New York fans will devour Helmreich’s genial, rich, and constantly illuminating travelogue.Pub Date: Oct. 27, 2020
ISBN: 978-0-691-16688-9
Page Count: 488
Publisher: Princeton Univ.
Review Posted Online: July 6, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
