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In Every Way That Matters

Solid civil rights–era fiction; well worth a read.

Awards & Accolades

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  • Our Verdict
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A coming-of-age novel set in the rural South during the civil rights era.

Orphaned as a boy and raised by Aunt Ethel and Uncle Gordon in a small town outside of New Orleans, John W. Archer is small and serious and sees himself as different from everyone else. His best friend is the similarly disenfranchised Crawford Smith. Despite their mutual aloofness, they develop a firm friendship and become brothers “in every way that matters.” After a slow start to the novel—which in retrospect seems designed to sketch out the architecture of the boys’ friendship but is nevertheless, on first reading, a bit unfocused—the narrative zeroes in on Crawford’s complicated relationship with his uncle Hal Crawford and the complexities of both boys’ love interests. Hal is an outlier in their small town, living in “nigger town” and working as a civil rights lawyer during a time when segregation was the law and lynchings were not yet a thing of the past. Both boys are smart and honorable, and they see that the way things are is not the way they should be. Still, they struggle with whether their future is—like Hal’s—to stay and live and love within their imperfect world, striving in some way to improve it, or to escape, via college, to a more progressive world. The answers aren’t obvious, and in fact, the boys’ choices flip-flop as they struggle to be true to themselves and to live within the expectations handed down to them by teachers, girlfriends, parents, the formidable Aunt Ethel, and Hal, who, for all his talk about following one’s own path, is ultimately more interested in having others follow his path. Cheevers (The Able Seaman’s Mate, 2013, etc.) has a gift for dialogue, and much of the novel is composed of animated, often funny, back and forth between John, Crawford, and Hal. He’s less skilled with moments of action, focusing somewhat dispassionately, for instance, on the logistics of the novel’s climactic scene, to the extent that it reads like a series of stage directions: so-and-so raises his hand to strike, such-and-such dodges, so-and-so gets in between, such-and-such holds so-and-so back. Still, Cheever deals effectively with big ideas, and his characters are both authentic and sympathetic, investing the reader in the choices that they make and the ways they test and express their loyalties to each other and to the world around them.

Solid civil rights–era fiction; well worth a read.

Pub Date: July 13, 2014

ISBN: 978-1500485276

Page Count: 268

Publisher: CreateSpace

Review Posted Online: March 14, 2015

Kirkus Reviews Issue: April 15, 2015

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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