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SEDALIA CHRONICLES

A humorous, charming collection of tales set in a Midwestern town.

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A volume of short stories probes the foibles and fascinations of the residents of a small Indiana town.

What goes for excitement in Sedalia may be different than in other places, but its residents are ready to swarm at the first hint of it. The nosy breakfasters at the local cafe speculate about an unknown car with New York plates that spent the night in a neighbor’s driveway. The idlers at the gas station are curious about how the local undertaker’s behavior has changed since the death of his wife. The sheriff has been getting reports of people buying night-vision goggles at the gun store, and the town doctor may be getting audited by the IRS. Nothing in Sedalia is too small to escape notice. “I mean, naked trucker, running along the bottom of the embankment below the northbound lane,” reports a state police officer at the beginning of one tale. “Nothing but shoes. Obviously trying to avoid being seen. Which is obviously impossible. We get eleven different calls.” Gossip is the fuel of the local discourse, though sometimes the really interesting things are the ones that don’t get said. People who spot bears, for example, can’t tell anyone about them given that the Department of Natural Resources’ official line is that there are no bears in Indiana. Most people born in the town stay in the town. Sedalians tend not to fare as well when they try to make it in the wider world, as with Wanda Sue Blankenship. Wanda moves to New York to be a lawyer and tries to hide her Southern Indiana accent—unsuccessfully. In these 19 stories, the residents of Sedalia are held up for readers’ appraisals, though they can never be judged as thoroughly by an outsider as they are by one another.

Johnson’s prose is easy and wry, perfectly calibrated to the speed of life in his fictional, eponymous municipality. “The skinny young man lay asleep in a filthy sleeping bag just a foot from the edge of the bridge abutment,” begins one tale about an anti-capitalist hitchhiker who has a short but memorable stay in town. “The drop to the dry stone river bed was fifteen feet. His head lay on folded pants, his long brass-colored hair hopelessly tangled. The snore suggested nasal occlusion.” The author has a knack for pinpointing not only the way characters look to the people around them, but also how they appear to themselves. Sedalia’s slight inferiority complex regarding the rest of America—and its snooty neighbor, Elmira, Indiana—is a recurring theme. “Dysfunction in the Mole Challenge Group” is a particular standout, but the strength of these stories is the way that characters weave in and out of them, offering a larger view of the dynamics of the town. Neighbors who appear in one piece are often explored at length in another. As in Sherwood Anderson’s Winesburg, Ohio and subsequent works of locality-based fiction, Johnson’s book manages to simultaneously poke fun and celebrate small-town American life.

A humorous, charming collection of tales set in a Midwestern town.

Pub Date: Oct. 20, 2021

ISBN: N/A

Page Count: 257

Publisher: N/A

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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