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ON THE FIRING LINE: The Public Life of our Public

Extracts from Buckley's Firing Line program, plus much sparkling new commentary. The interview extracts, drawn from the show's 24-year-old files, include joustings with such figures as Norman Mailer, Barry Goldwater, Timothy Leafy, Muhammed Ali, Margaret Thatcher, Richard Nixon, George Wallace, and George McGovern. Buckley groups the interviews into subject categories—"The Sixties," "The Impossible Guest" (Panamanian Demetrios Lakas, who evaded all questions for an hour), "Crime and Punishment," etc., each introduced and interwoven with retrospective reflection that, as Alistair Cooke puts it in his introduction, "restores [Buckley's] roles of district attorney, mocker, lover of the last word, and. . .confessor of grevious sins." There are shocking moments (Lakas stating off camera that "I'd just as soon fuck Castro as sign a treaty with him") and priggish ones (Buckley pointedly ignoring porn star Harry Reems, an unwanted added guest: "He deserved," writes Buckley, ". . .the ostracism that anyone deserves who makes his living by exhibitionistic obscenity"). Buckley also shows his less astringent side by tackling cultural subjects—e.g., harpsichordist Rosalyn Tureck's thoughts on live vs. recorded performance—and his less dogmatic side, e.g., declaring that, in his fight for conscientious-objector status, Muhammed Ali was a victim of the establishment. Vintage Buckley, sure to preach to the converted and outrage the skeptical, executed with maximum charm.

Pub Date: April 28, 1989

ISBN: 394-57568-7

Page Count: -

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1989

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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